Charles Mingus

Charles Mingus, “Goodbye Pork Pie Hat”

Ladies and gentlement, the pilot has illuminated the “JOSH IS NOT QUALIFIED TO TALK ABOUT JAZZ” light, please return to your social media app of choice and return your seats to the upright and locked position.

Boris, “Hama”

Amplifier Worship is the first studio album from Boris if you ask them, because they consider Absolute Go a single. It’s a 60-minute single, mind you, but it’s still a single as far as they’re concerned, so this is the first album. And it’s a banger, the first in a very long string of fantastic albums. I’m not sure Boris really redfined anything, or set a template for other bands to follow or anything. They’re just consistently great across decades. That’s all.

The Young Fresh Fellows, “A Fake Hello”

Tad Hutchinson is really going the extra mile on the drums here. He doesn’t have to, Scott McCaughey’s singing can carry this little tune. But Hutchinson was always the Fellows’ secret weapon, I love his work across the board.

Queen, “Body Language”

Hot Space contains the magnificent “Under Pressure”. It also contains a bunch of other songs, about which the less said, the better.

Can, “Mother Upduff”

I still kind of lament Unlimited Edition being the first record I ever heard from Can. It’s so scattered, as befits an outtake compilation, that it’s hard to really appreciate it without the context of already loving the band. I decided to just ignore Can for another couple decades at that point, and I could have been listening to them that whole time. Big mistake!

Knxwledge, “kometostai.aintreallynootherwaytoputitro”

Yes, I copied and pasted that from Plex. I ain’t typin’ all that!

Palace Brothers, “I Tried To Stay Healthy For You”

This is from the first Palace Brothers album, when it was not at all clear exactly who Palace Brothers were or who was playing on the album. It turned out to be Will Oldham, of course, who played with the Palace moniker for a while before recording under his own name and then Bonnie “Prince” Billy. While I think he’d do better work later as he settled in, the starkness of the arrangements and the gloom of the lyrics result in a super effective album for setting a mood. (That mood is “bummer”.)

Firewater, “This Is My Life”

One of the highlights on the best Firewater album, Golden Hour. It’s an album that attempts to answer the question “what if we just made the whole album out of highlights”.

Calexico, “Yours and Mine”

Hot damn, shuffle bringing the fire today! Garden Ruin was the follow-up to my favorite Calexico record, Feast of Wire. With this album, Calexico nudged slightly further away from the mariachi sounds being quite as dominant as prior records, with a little more country and folk creeping in to replace it. There are also no instrumentals on the album, another break with the past. That’s not to say there aren’t any southwestern sounds on the album, just that there is a little less influence. This song is a fine example, this is pretty much just pure country. But lovely!

Overstuffed one today!

Steady Earnest, “Put It On”

Yes, this is the Bob Marley song. Yes, this song rules. Yes, this cover is probably pushing the tempo too much, but whatever, see point #2 above.

The Police, “One World (Not Three)”

Ghost In The Machine is easily the worst Police album, with neither of the energy and catchiness of the best of their early work, but not yet settled into the progressive pop of Synchronicity. It just doesn’t really hang together well for me, and I basically never listen to it.

Six songs today!

Belle & Sebastian, “Little Lou, Ugly Jack, Prophet John”

From Write About Love, a mostly forgettable album, but this is one of the songs that sticks with me from it. There’s not a whole lot to it, musically, but it’s certainly pleasant.

Jr Walker And All Stars, “Cleo’s Mood”

You don’t find that many instrumental soul tracks like this in the Motown catalog, but here we are with a sweet little tune from 1965.

It’s my birthday! Hooray! Let’s listen to some music (you can listen along here)!

Spawn of Possession, “Spiritual Deception”

Metal, as a broad genre, is one that I’ve always been perpetually coming to grips with. Despite having embraced plenty of other extreme genres - noise, hardcore, lots of experimental music of all forms - I had always held metal at arms’ length. I certainly listened to a few carefully selected bands, but I never really explored things fully. I mostly looked at many of the ridiculous trappings and endless subgenres, and kind of gave it a miss.