Five Songs, 10/2/2022

Cave In, “Come Into Your Own”

If I told you that there was a band called Cave In, and that they were showing up on this blog, you’d probably have some picture of what they sound like that would involve one or more things howling. I doubt you’d picture something that sounds like this. Kinda feel like it’s false advertising.

El-P, “The Overly Dramatic Truth”

A thing you can’t often say about El-P’s compositions is that they’re pretty. It’s just not a goal he often shoots for, although he’s capable of it if he chooses. This beat, though, sometimes could be described as such. There’s a certain poppiness to it that doesn’t often show up in his work.

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Five Songs, 4/10/2022

Cave In, “Come Into Your Own”

I was a latecomer to Cave In, only really starting to listen to them around 2015 or so when I got a Hydra Head sampler with this EP among the stuff. And I wasn’t really sure what to expect, but it sure wasn’t this. This is pretty indie rock, and while I know it’s not representative of all of their sound, it’s still kind of jarring to listen to this and try and square it with the reputation of Cave In as a hardcore band.

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Five Songs, 3/11/2018

A hazard of this project is that I won’t always have much to say. Sorry about that! At least I have music for you.

Claw Hammer, “Caravan”

Claw Hammer was a bit of a strange band in the underground of the 90s. For starters, their first album wasn’t really their album. It was just a cover of the entirety of Devo’s first album. Jon Wahl sang in some kind of demented John Fogerty meets Joe Strummer kind of howl. They sounded like a blues band crashed into a punk band and decided they liked it that way. Through it all, they clearly were just doing their own thing. They were often exasperating, but sometimes brilliant.

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