Calexico

Leprous, “Nighttime Disguise”

Ah Leprous, the perfect band for when you think “dang, I really want to hear a lot of time signatures.”

Cthulhu Rise, “Opus 23”

Cthulhu Rise are an instrumental prog metal/jazz fusion thing. I mean, I suppose you can hear that, huh? This whole album is like this - always moving around, always experimenting, always trying to surprise you, but you know, it also all starts to blend together a fair bit. Not bad as something to pop up randomly like this, though. A track at a time? Sure, that’s fun.

Kvadrat, “Αποκοπή”

This is from Ψυχική Αποσύνθεση, the EP released in 2021 from this Greek black metal band. Here’s what I know about them:

• They’re Greek.
• They released this on the magnificent Total Dissonance Worship label out of Portland, who have quickly become one of my favorite labels.
• That’s it.

This is the stuff, though - unpredictable and relentless black metal where I cannot understand anything that’s going on, but do not care at all. I cannot even verbally recommend this to anybody, I haven’t the foggiest how any of that would be pronounced. I suppose I can fake the band’s name. Anyway, I hope they release a full-length at some point!

Don Caballero, “The Irrespective Dick Area”

Don Caballero came back after a six year absence with Damon Che once again leading things from his drum kit. This is the second of the studio records from this configuration, and while good, it doesn’t really reach the heights of previous Don Cab records. The pyrotechnics can be pretty fun to listen to, though.

David Bowie, “Suffragette City”

Maybe my most listened to Bowie song - either this or “Space Oddity”, probably. Why? Because both are available in Rock Band, so I’ve played them a bunch.

Calexico, “Gypsy’s Curse”

The Black Light, the second Calexico album, is really where Calexico became Calexico. The dusty southwestern aesthetic reached full flower, with the rhythms and arrangements being incredibly evocative. I mean, I suppose this track explains it more than I could. They would eventually branch out more and more from this core sound, but never abandon it. But if this is why you love Calexico, this record and The Hot Rail should be at the top of your list.

Calexico, “Heart of Downtown”

This comes from Calexico’s Christmas album, Seasonal Shift. The major concession here is that the guitar line is a little more filled out, and there’s a little bit fuller chorus. It’s a Calexico song otherwise, which is a perfectly good thing.

Mastodon, “Divinations”

Crack the Skye is Mastodon at its most Mastodon-y, with their prog-metal thing reaching a logical endpoint. They’d back off a bit from this sound later, but I kind of wish they hadn’t. I want a band to just keep getting more and more elaborate and decorated. I want them to get ten albums in and have the whole damn thing be totally unparseable by normal humans. Have it sound like it fell to Earth from outer space.

Skalpel, “Quicksilver”

Love me a good jazz/DJ thing.

Destroyer, “The Bad Arts”

Streethawk: A Seduction was the first Destroyer record that I heard, and this was the song that I heard on that record that really got me going. Something about how spare a lot of the song is, just his voice and either a simple groove or his guitar, just works super well. A delightful tune.

Cherubs, “Sooey Pig”

You know, it would have been just fine with me if that first thirty seconds of formless guitar noise just kind of kept going. I have objections with the rest of this crawl, mind you. But I love me a good wad of meandering feedback.

Calexico, “Voices in the Field”

For a split second, at the beginning of this track, there’s a burly menace to the sound that the seasoned Five Songs reader/listener would suspect is going to descend into some nightmare basement howling and guitarpocalypse. But no, it’s just Calexico being a little dramatic at the start of this tune.

Calexico has always taken inspiration from their surroundings, and they’ve taken on the habit of recording their albums in different places in order to change up that inspiration. As a result, they’ve moved away some from the habitual desert sounds some on their latest records.

The Mighty Mighty Bosstones, “Simmer Down”

Ska-Core, The Devil & More is an EP with mostly covers released in 1993, notably primarily for this nice cover of a Marley tune. Other than this, it’s far from an essential release.

Uncle Tupelo, “Sandusky”

March 16-20, 1992 might be the Uncle Tupelo album that has aged the best. I’m not sure it’s my favorite, I don’t think it’ll ever displace No Depression. But the stripped down, acoustic production suits the material so well, and the traditional songs they picked to go with their originals all mesh so well. I truly wish we could have gotten a few more of these before things fell apart.

Mad Caddies, “Nobody Wins at the Laundromat”

When ska-punk just kind of turns into punk with horns, I start some losing interest. Sure, it can still be good, but there are a lot of great straight-up punk bands that they’re going to be competing with. I’m not that desperate for horns.

Calexico, “Cumbia de Donde”

OK I LIED GIVE ME ALL THE HORNS I NEED THEM RIGHT NOW

Edge of the Sun is one of the more, uh, sunny albums from Calexico’s later career. This bouncy tune is the most sunniest of the lot, but it’s by no means alone being charming. If you’re a big fan of Feast of Wire (which you should be), this is a pretty good one to go to next.

Medeski, Martin and Wood, “Hey-Hee-Hi-Ho”

If my search is to be trusted, there are about 102 blog posts on this site indicating that I don’t know shit about jazz. Sad that I’m so ignorant, given that I actually listen to a fair bit of it.

Calexico, “Black Heart”

My favorite Calexico record. If this song doesn’t grab you, I’m afraid to inform you that you’re hopeless.

Therapy?, “Nausea”

Therapy? was a band that kind of got tagged with an alternative metal label during the early 90s. It kind of makes sense - this isn’t as gritty as grunge, and it’s not robotic enough for industrial metal, but it also doesn’t really have any markers of any of the genres of metal going at the time. This is from Nurse, a record that got them signed to a major label. It’s a decent record, although I’ll confess I haven’t thought about this band in ages.