Buck-O-Nine

Eggs, “The Government Administrator”

Eggs was one of the Teenbeat bands, making indie pop at a time when that was pretty uncommon, running straight against the current of grunge and heavy rock that was dominating taste at the time. A lot of these bands also valued being very clever in their tunes, sometimes a bit too much. At any rate, this comes from the singles comp, ‘How Do You Like Lobster?’ A Collection of Crustaceans and Flotsam, the title of which kind of makes the point. For all that, they could really write some solid tunes, and I actually like this comp the most out of their records.

Zeke, “Action”

Fuck yeah garage rock! Spending a bunch of flowery words on this seems anthithetical to the spirit of things, so, again: fuck yeah!

Uncle Acid & The Deadbeats, “Black Motorcade”

Kind of a horror-themed psych band, Uncle Acid & the Deadbeats mostly trade in atmosphere. When it’s effective, it’s creepy and unsettling. But they miss as often as they hit for me, and when it misses, it’s just kind of meandering. This album (The Night Creeper) doesn’t work for me as well as the other album I have (Blood Lust).

Dodecahedron, “Interlude”

Dodecahedron is a black metal band that plays in the very dissonant end of the pool like a bunch of my favorite metal bands. It’s all murky noise and ugly churn, warty and unpredictable. They only have two albums out, and I’ve only got this one based on a positive reivew I read somewhere, but I like it pretty well.

A Forest of Stars, “Drawing Down the Rain”

Almost seems wrong to put this in the same genre of black metal as Dodecahedron, doesn’t it? I mean, there are blast beats and tremelo picking, I guess, but there’s something resembling melodies here, not to mention some clean singing, strings, and other non-grim shit. If you played this to somebody who had no exposure to modern metal, it would at least make some sense. Dodecahedron? Not so much.

SIX SONGS

Buck-O-Nine, “Tear Jerky”

I often wonder at the functioning of the human brain. I frequently have trouble using the correct “M” name for the various folks and dogs who live in this house with me (in my defense, I’ve never used the dog’s name for one of the humans, but that time is probably coming). But I can still whistle along to the horn lines of forgotten ska records. Good use of gray matter there!

Three days, when will it stop? NOT TODAY! HIT IT, YOUTUBE!

The Microphones, “I Want To Be Cold”

There’s something almost shoegaze-y about this track from the Microphones, with the buried vocals and washes of noise. I love it when everything lays out about a minute in as well. It’s a short tune, but it packs a punch.

Kid Koala, “3 Bit Blues”

Kid Koala assembled the entirety of 12 Bit Blues out of layers and layers of samples of old blues, adding scratching over the top when everything was put together. It’s a fascinating experiment, as with just about everything he does, sounding ancient and dusty while simultaneously modern.

SIX SONGS WOOOO

The Temptations, “Hey Girl”

Goddamn, listen to those strings! With Cloud Nine, the Temptations laid down some of the building blocks of funk, as they departed from the traditional Motown sound and pointed the way to the 70s.

The xx, “Heart Skipped A Beat”

Indie pop band The xx kind of exploded out the door and were critical darlings right away with their electronic take on the genre, especially with the dual vocalists. And it’s here where I admit that a) I can never keep straight who The xx are and b) I clearly bought this at some point and I’m not entirely sure I’ve listened to it before. But I know I’ve read about them at various times! I totally didn’t have to look up stuff about them!

Today!

J Church, “Bomb”

Camels, Spilled Corona, and the Sound of Mariachi Bands is a great name for an album, in this case the first of multiple singles comps that J Church put together. As befits a band as prolific as they were, J Church was constantly putting out songs on 7"s, random comps, splits, and other places. They had the good grace to collect that stuff together periodically, and the comps are really basically on a par with their normal albums.

I’ve legitimately missed this. It was a bit of a grind at times, and I’ll have to find the right pace, but it’s nice to be back in the saddle. And it’s nice to explore the dusty corners of my music again. Here is today’s trip into the vault.

Edan, “Humble Magnificent”

One issue that I have with this thing is that I stopped doing “previously"s, which was a huge hassle, but I haven’t gone back and re-tagged everything. So, I’m not entirely sure what I’ve covered. At any rate, Edan is a rapper/producer/DJ out of Boston who has thus far only made two albums (Primitive Plus and Beauty and the Beat) and a mixtape, but it’s all magnificent. His beats in particular are fantastic, the perfect blend of dusty loops and filthy drums. One of the best pieces of music news in 2018 is Edan’s return to music, with a new album coming out soon. I couldn’t be more excited!

Today!

Buck-O-Nine, “Voice In My Head”

We like to mock the third wave of ska here at Funf Songs, because it’s eminently mockable. But, there’s a reason why we have so much of the damn stuff, and that’s that when it’s done well, it’s sprightly and charming and summer-y. In the winter, it reminds of long, bright, warm days. In the summer, it just ups the mood to another level. Buck-O-Nine weren’t amazing, but they were pleasant and good and it’s worthwhile to just listen to some pleasant and good things sometimes.

Today!

Daft Punk, “Give Life Back To Music”

As a teenager, I took it for granted that disco sucked. Everybody knew it sucked, right? It was shiny and for dancing! I didn’t really interrogate the reasons why there was a cultural backlash against disco, it was just a thing that happened, and obviously it had to happen to pave the way for what followed. It took a while for me to really think about it. Why were so many people so dead set against disco? That they were willing to not just dislike a genre but adopt hating it as part of their identity. And, of course, the penny finally dropped one day: disco was a haven for people outside the rock mainstream, a place where gay folks, people of color, and just loads of diverse folks could be accepted and be themselves. It was a scene that wasn’t just welcoming of these differences, but embraced them. So, of course it had to go. People couldn’t just ignore it if they didn’t like it. That scene had to be destroyed.