Boris

Pigs, “Wrap It Up”

Just bottle that opening guitar sound and sell it by the case, I’ll buy it and pour it directly into my nostrils.

Dodecahedron, “Finale”

Ooh, backwards vocals. So evil! I’m cowering!

Boris, “Riot Sugar”

I’ll never get tired of mentioning this when it comes up: this is from Heavy Rocks. No, not the one from 2002. No, not the one from 2022. The one from 2011, the same year they released three other albums. Nobody has had the career that Boris has had, and very few bands have been harder to keep up with. At any rate, this Heavy Rocks is excellent mid-career Boris, crunchy and pretty diverse, a relatively accessible record but undeniably heavy. And yes, it rocks.

Charles Mingus, “Goodbye Pork Pie Hat”

Ladies and gentlement, the pilot has illuminated the “JOSH IS NOT QUALIFIED TO TALK ABOUT JAZZ” light, please return to your social media app of choice and return your seats to the upright and locked position.

Boris, “Hama”

Amplifier Worship is the first studio album from Boris if you ask them, because they consider Absolute Go a single. It’s a 60-minute single, mind you, but it’s still a single as far as they’re concerned, so this is the first album. And it’s a banger, the first in a very long string of fantastic albums. I’m not sure Boris really redfined anything, or set a template for other bands to follow or anything. They’re just consistently great across decades. That’s all.

Propagandhi, “Laplante/Smith Song (Live)”

Where Quantity Is Job #1 is really an excellent title for a comp like this. Also, dig those Canadian accents!

Beck, “The Golden Age”

A little while back, we talked about Party Beck vs. Sad Beck. Please enjoy (?) peak Sad Beck here.

BADBADNOTGOOD, “Time Moves Slow”

I love the skittering drums here, they’re making me kind of jittery just listening to them. BADBADNOTGOOD, out of Toronto, sit somewhere between funk/soul, hip-hop, and jazz, putting out records that cheerfully wander back-and-forth between the genres as their muses take them. As anybody who has been reading Five Songs for any length of time can guess, that’s extremely up our alley around here.

It’s July 4th! Doesn’t feel right to celebrate anything, though.

Fugees, “Ready or Not”

This album was really huge, driven by a rapturous critical reception (and, of course, some seriously bangin’ singles). It represents a little bit of a path not taken for hip-hop at large, though, as the Bad Boy Records era was really taking over around this time, which didn’t leave a lot of commercial space for other approaches. That it didn’t generate a lot of followers is no comment on the quality, of course, as it remains a classic.

Matthew Sweet, “Divine Intervention”

When someone says “power pop”, this is the song that pops into my head. I know that there are plenty of other bands that really defined the genre, and that I should be thinking of them. But I don’t. It’s this song.

Juggaknots, “Liar, Liar”

I found the Juggaknots after falling in love with Prince Paul’s A Prince Among Thieves, where Breezly Brewin just kills it. So I went to track down more of his stuff, and sure enough, the Juggaknots also rule.

Your Old Droog, “Gyros”

That punishing, thick blanket of bass, backed up by the little clicky drums, is such a tasty combination. I just want to roll around in this beat, or spread it on my sandwich.

Mr. Lif, “Status”

If you listen to the story on the album, this is supposed to be a cheap beat that Mr. Lif could afford, but Insight absolutely kills it. It’s so funky! Shuffle is ON it today.

Boris, “Party Boy”

This kind of sounds like a Death From Above 1979 track, a demonstration of the range that Boris have displayed over their long and incredible career.

The Shins, “Red Rabbits”

I’m not going to rehash my schtick with the Shins here (you can read it here), but I’ll instead note: I could have sworn I had a copy of Chutes Too Narrow (which is not this record), and I do not appear to have it in the library. Did I not rip it? Did I lose it? It’s the sort of question that kind of haunts me a little. How many records failed to make their way into my library or got lost during its peripatetic journey to its current home. Was I going to listen to it? Not the point!

Boris, “Flower Sun Rain”

This is apparently a cover, which I hadn’t really realized before. Smile, the album that opens with this song, is on the more accessible end of Boris’s work. There are plenty of vocals on the record, plenty of things that are recognizable melodies, and generally not as much of the harsh noise. That’s not to say that it’s easy listening or anything, just that in the context of their career, it’s pretty approchable.

My music server died the other day, and I kept going. Now, my laptop died. Still here!

Boris, “Tu, la la”

From Heavy Rocks, the 2011 version, and is a good example of Boris at the more tuneful end of things. It’s a very solid record, definitely worth listening to if you like Boris.

Prefuse 73, “7th Message”

I think I like Prefuse 73 the best when he’s at his most hip-hop influenced. That’s one of the reasons his first record is still my favorite, and this song is a great example of what I love. The samples and cuts here are very hip-hop, and add a lot to the tune.

Boris, “Flower Sun Rain”

This comes to us from Smile, the US version, because Boris being Boris, there are different versions of this record with different track lists for different countries. I’m not a completist on this, and so I’ll just declare the US version is the best (inasmuch as it is the one I have). But enough of that, is it a good album? Of course it is, Boris doesn’t make bad albums. It’s more on their noisier side, coming on the heels of their most accessible record, but I like the noise.