White Blood Cells still strikes me as such an unusual breakout album. The White Stripes didn’t particularly soften their approach or anything, it’s still the same kind of garage rock they’d been making to this point, and yet it really got huge. I’m not sure why them and not some other act.
Tune in to this space tomorrow when I will be baffled by other commonplace things.
[Read More]In the mid-80s, Scratch Acid helped for the noise rock scene in America, taking the racket that the Birthday Party was kicking out and taking it another step further. Scratch Acid also provided half of the Jesus Lizard, which is certainly notable enough for any band. All of Scratch Acid’s work (one LP and one EP) are collected on The Greatest Gift, which is a must for any noise rock fan.
[Read More]In The Aeroplane Over The Sea is a record that sort of became a shibboleth among indie dorks, the sort of thing you had to pledge allegience to in order to fit in among certain crowds. Or make fun of, to piss off those indie dorks. But mostly, people don’t talk about the first Neutral Milk Hotel record, On Avery Island, which to my ears is pretty comparable. Sure, the second album is better, but I don’t think it’s so MUCH better to explain the different reputations.
[Read More]A classic. Also a member of the group of songs where I can play both the bass and drums for it.
Another classic! Sounding like my dorm room in here today. Except this isn’t from 7 Songs, it’s the demo version from First Demo, which is a huge amount of fun if you’re a big Fugazi fan. Which I am!
Goddamn! Really hitting some of my favorite artists here! However, this is a just a little interstitial tune from Break It Yourself.
[Read More]I think I’ve used this space before to kind of lament how Grandaddy hasn’t really connected with me. I can see the quality, but it’s just never really clicked. This is a fine tune, though.
American Music Club were still kind of finding their way with their second album, Engine. Musically, they would eventually open up some of the arrangements which would help give some more space to Mark Eitzel’s lyrics. But as you can hear on this song, the often harrowing storytelling was definitely there.
[Read More]De La Soul launched a Kickstarter in 2015 to record their new album using a new method. Tired of chasing and clearing samples, they decided to bring musicians in to the studio to record them playing a bunch of different things, and then used those sessions as their library of music to sample and construct the tracks. The resulting album, …And The Anonymous Nobody, isn’t one of De La’s best albums, but how could it possibly be? It is very good, though, and clearly a different record from the ones that come before it. If you haven’t listened to anything from De La Soul from after the Prince Paul years, you should listen to…well, Stakes Is High. And then The Grind Date. And then probably this one!
[Read More]Helmet’s debut album on Amphetamine Reptile Records was a savage and self-assured record, and they backed it up by touring heavily and blowing people away. Then, Nirvana blew up huge and the major labels started looking for heavy rock acts to sign to satisfy a market suddenly hungry for them. Every single one of them landed on Helmet, and a ferocious bidding war erupted. Interscope were the winners, signing Helmet to a million dollar deal and sending them into the studio. As a teaser, they released a CD single with three of the songs from the upcoming album (including this one) along with one live track, and I got to see what Helmet would sound like with serious dollars behind them. The answer? Helmet!
[Read More]Goin’ with a theme today!
Now, seriously, what’s the point of a Sleater-Kinney song without Janet Weiss?
Very early material from Andrew Bird, when he was still recording with a band credited as His Bowl of Fire. This version lasted for three albums, with the first two albums staying pretty close to a hot jazz formula like you hear on this track. The third album found the band adding some more rock influence, to great effect, leaving the first couple albums as just sort of a fun dead-end. He does have many of his strengths on display here, though, especially his great vocal delivery, the maserful violin, and the dynamic songwriting.
[Read More]Quelle Chris has been on quite a tear. 2018’s collaboration with Jean Grae, Everything’s Fine, was one of the best rap records of that year. 2019? Guns was again one of the best. 2020 has seen him return to collaborating with Chris Keys, producing Innocent Country 2, another excellent record, this one featuring plenty of jazzy beats. This song will give you a taste of the beats on the record, but you’ll have to wait until some future date to hear Quelle Chris.
[Read More]Y’all, I’ve listened to that Hello, Summer album three times since it popped up randomly here, and folks: it’s good. Real good! I love that my own blog is teaching me about music…from my own collection.
What makes late model Less Than Jake work is that, yeah, it’s more or less just standard pop punk with horns. But it’s catchy, cheerful, energetic, and just the musical equivalent of comfort food. It’s not exactly ambitious, but there’s space in my world for well-crafted music like this.
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