I was going to make a “ooh, another Lost 90’s Gem” joke here, as if anybody has ever forgotten the Pixies. And then I remembered, no, this album came out in 1989. Time is an illusion.
This is so good. It reminds me of nothing so much as Einstürzende Neubauten, in the way it approaches rhythm and the use of open space in the song. I should really look up more work from Williams.
[Read More]Time for a deranged opinion! Specifically: Watery, Domestic, the 1992 EP that Pavement released between Slanted & Enchanted and Crooked Rain, Crooked Rain is, pound for pound, the best Pavement release. Four songs, all killer, and from their peak period. These tracks would end up on various collections, re-issued, re-packaged, re-packaged, but I think it dulls the impact a little bit when they’re just mixed into a compilation or are bonus tracks to an anniversary re-release or whatever. You don’t necessarily realize that these were all in one place originally. Anyway, it’s fantastic, make a playlist of the four songs and have a go or pull it up specifically on Spotify or whatever.
[Read More]Polvo’s final album from their first run, Shapes, had kind of a cool reception as I recall. I know personally that I felt like it was a step back from the previous couple albums. But now, a couple decades later, I find myself listening to it more than the rest of their records. So, is it just a more subtle, more challenging record that requires more maturity and sophistication to appreciate? Was I just a dumbass back then? The answer is: I am not more sophisticated and I’m still a dumbass, so I suspect it’s just novelty? Relative novelty, anyway.
[Read More]Hammerhead’s initial three-album run with Amphetamine Reptile is probably my favorite on the label, and it’s the second and third albums (Into The Vortex and Duh, The Big City) that are the real prizes. The first record is good, but the latter two are two of my favorite noise rock albums by anybody ever. But it wasn’t like Into the Vortex just thundered out of the sky out of nowhere. It was heralded by the 1993 EP Evil Twin, which showed how much of a step forward Hammerhead had taken. What stands out to me is how propulsive it sounds. Hammerhead is going places, and nothing is going to stop them, and they will just run you over if you’re in the way. That sense of groove moderates the aggression into something that is compulsively listenable to me.
[Read More]Revenge is Peter Hook’s (Joy Division, New Order) band after leaving the latter of those bands. They put out one record and a smattering of singles, one of which gives us this song. And, look - Revenge wasn’t very interesting. It was just kind of there. If you’re a big New Order fan, as I was when this stuff was coming out, you might trick yourself into getting excited for it. But don’t fall in that trap!
[Read More]I have regrets when it comes to the tagging system I use around here. Yes, it’s nice to have all the bands tagged, that’s useful. But I wish I had also tagged genres, and subgenres, and some of the common threads in these posts. Like “Canadian Punk” would have been a fun tag. Why did I listen to so many Canadian punk bands in the 90s? I dunno. I have no way of knowing if my punk consumption was disproportionately Canadian or not. How would you measure that? Count up the number of punk albums I own that came out in the 90s, weigh by population, see if they match the expected distribution? I suppose that would work, would likely be possible with some data scraping using the Discogs API, and is absolutely not going to happen unless someone were to pay me. Or if I get super bored.
[Read More]Experimental post-rock band Pyramids released their first record on Hydra Head Records, which is how I ended up being exposed to them. They’re honestly pretty all over the map on this record, which kind of lurches around between various styles. I’ve only got this and their last record, 2015’s A Northern Meadow, and that’s similarly a restless record. I don’t really love it, but I think it’s at least interesting, so that’s a good thing.
[Read More]I feel like every time Pinkwash comes up, I say something equivalent to “hey, this is neat, I keep forgetting about this!” I wish I could say that I’d grown past that, but no, I do still keep forgetting about this. It’s a fun record! But, I can report some growth: I checked to see if they have another record. No, they do not. Still!
Across a discography that stretches across seven albums ranging from incredible to great, there’s one that stands out. Mostly by being kind of superfluous. This is from that record, 2003’s Songs We Should Have Written. It’s a covers record, and it’s not bad, but it just doesn’t rise to their original records.
[Read More]Do I still remember how to do this? I guess I’ll find out!
I took a break from the grind of daily music blogging last October, because it was starting to wear me out. Needing to figure out something to say about these songs each day felt like I was really straining, and it wasn’t serving the purpose of a creative outlet nor a reminder of songs I’d forgotten about it. It was a slog, unfun, and I had proven to myself that I was capable of blogging every single day but I no longer wanted to do so. This project is, in the end, for myself. There are no ads, no monetization, and frankly, no audience. If I’m not having fun, there’s no point.
[Read More]I wanted to write about music, and thought about writing about some 2022 albums I liked. I started typing it up for a private Discord and then remembered, duh, I actually have a music blog. So let’s blow the dust off this thing and post about some music I liked. “Best” is meaningless here, as any of these albums might strike my fancy on any particular day, and ranking them seems extremely iffy. Will any of these albums be in regular rotation next year? Five years? I have no idea. So, this is just a list of some releases you might have missed that I liked, and maybe you should check them out.
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