Huh, there are two Lily Allen albums that I’ve never heard. I should fix that.
Always really enjoyed the chorus on this song.
I guess I’m full of insight today!
The guitar loop immediately makes this recognizable as an Ugly Duckling song. I’m not sure I really needed a 6:24 DJ track from them, though.
OK, now I’m really not going to say much. Wouldn’t be right with this.
[Read More]When the Aquabats got rolling, they always had this kind of corny, cracked Saturday morning cartoon vibe. Like they were making songs for a show-within-a-show on some arch adult animation cartoon. And, of course, given the world we’re in, the show eventually showed up. Now, I haven’t actually seen the show, but I have the soundtrack, and…well, just listen to this. This is Very Aquabats.
I’m kind of sitting here thinking about how great it would be to hear somebody rhyming over Kollaps-era Neubauten.
[Read More]This song comes from Hurrah, which was the last album from Versus in their first run. They would later come back ten years later for another album, and apparently another new one just came out last year, which I didn’t know about. At any rate, Versus were largely out of steam with this album. It’s pretty enough, especially the vocal harmonies, but not terribly exciting.
I read a really good review of this record way back in the day, and popped for it. At the time, it didn’t stick with me at all. I thought it was perfectly nice to listen to, but not particularly memorable. I’m really enjoying this tonight, though!
[Read More]Another surprise record! Feels like we’ve had a lot of those recently. I wonder what the actual count of surprise records is in the ol’ collection. I’m not sure I want to know.
I know what this is!
The parts of songs where the Dillinger Escape Plan drops into something like the post-hardcore in the middle of this song were always effective. It can be easy for that kind of thing to just sound like a lame gimmick, but they always pull it off with aplomb.
[Read More]What the hell is this? This is really good! I feel like past Josh sent me a present. I almost certainly picked this up from an appearance in a year-end roundup, and it got lost in the shuffle last year. I do that with a few albums every year. I’m excited!
Don’t drown dogs! That’s not nice! And not especially metal!
The artist who made Late Registration seems so distant from the Kanye West of today. This is a really beautiful beat, though.
[Read More]Fuck me, listen to that organ. I try and play a decent amount of soul around the kids, because it’s just such amazing music, and with luck, they’ll get the same appreciation of it. I try not to make a big deal about it, but my dad used to do the same thing, and it just kind of seeped into my brain. I’m trying the same approach, as it worked on me!
[Read More]While I always prefer the more upbeat stuff from Parliament, their ballads were also often great, certainly during their peak period. This comes from the last great Parliament record (Motor Booty Affair), but not the last great record from the Parliament/Funkadelic collective.
Before the Black Eyed Peas became massive pop music successes, before they were cranking out deeply irritating hits, before they entered the collective consciousness as THE BLACK EYED PEAS, they were an underground hip-hop act that put out a couple of decent albums. There’s a little Black Star here, which is of course welcome. So, what happened? Well, one major thing you’ll notice about those first two records is that one familiar member of the band isn’t there. Fergie joined on the third record, and, well, only the first two albums are worth anything.
[Read More]When the Beastie Boys took the leap to playing their own instruments with Check Your Head, they also started expanding the reach of their label, Grand Royal. Lucious Jackson was one of the artists that they signed, putting out their first record, Natural Ingredients. It made a fair bit of sense, as the sensibilities of Lucious Jackson fit in well with the more funk/soul elements of the reinvented Beasties sound. Despite critical acclaim, the record never really seemed to catch on, but it still sounds pretty good.
[Read More]Absolutely no recollection of buying this record! Let’s listen together!
…This sounds like something I would have been really into circa 1994.
OK, you ready for some shit? Cobalt is a duo! Listen to this! Goddamn!
Hell yeah, metal today! Sleep’s Holy Mountain is one of the absolute untouchable classics of doom/stoner metal, a record that inspired countless imitators, proving that there was still plenty of creativity in the old Black Sabbath formula. It still sounds great today in the same way that peak Sabbath records sound great, because it’s just so elemental.
[Read More]Every now and again, a record breaks through into mainstream attention that surprises me. I would not have bet on the ascetic blues rock revivalists the White Stripes being anybody who would get mainstream attention, but somehow they broke through. White Blood Cells still doesn’t sound like a record that should have gotten huge, as it’s still relatively uncompromising in the vision they’re pursuing.
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