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Arab Strap, “The Clearing”

Arab Strap was a band from the same music scene that produced Mogwai and Belle & Sebastian, but unlike those two bands, they’ve never done that much for me. This comes from their first album, and it’s kind of unfocused, and there’s nothing that I find really memorable on it.

The Rolling Stones, “Love In Vain”

Huh, never heard of this band.

Lorelle Meets The Obsolete, “Unificado”

Psychedelic rock out of Mexico, this is from the 2019 album De Facto which showed up on some best-of lists that year. I think this is good, but as with a lot of psychedelic rock, it doesn’t tend to stick with me. I’m kind of the same way with Tame Impala - I can tell it’s good and all, and can even see what people hear in it, but it just doesn’t hang with me. I guess it’s Not Memorable To Josh day?

Amon Tobin, “One Shy Morning”

Amon Tobin put out two albums in 2019, with this one (Long Stories) being the more ambient, quieter one of the pair. It’s well done, and it’s a good record, but honestly, I prefer Tobin when he’s more out there than this.

Fela Kuti, “Igbe”

The inventor of Afro-beat, Fela Kuti is one of the key musical figures of the 20th century. I’m not a Kuti scholar, truthfully, owning only a handful of albums, and if I roll out a bunch of biographical info here, I’d largely be cribbing from some other site. But just listen to this, and then try and imagine any of the Daptone bands sounding the same. Even beyond the influence, though, this just flat cooks. This is from Gentlemen, which seems to be considered his best album - that’s why I picked it up in the first place.

The Reindeer Section, “If Everything Fell Quiet”

The Reindeer Section is a Scottish supergroup, featuring members of Belle & Sebastian, Snow Patrol, Arab Strap, Mogwai, and others. The resulting album actually sounds a lot more coherent than what you normally expect from a supergroup, primarily because the songs were all written by Gary Lightbody (of Snow Patrol). The rest of the folks here fill out the roster, and they do it quite ably.

Michael Kiwanuka, “Black Man In A White World”

Kiwanuka’s second album, Love & Hate, is an ambitious album that roams all over the R&B and soul maps, unafraid to stretch out the songs, play with lush arrangements, and challenge listeners. It’s an album that I really prefer to listen to as a full album, because I think it builds on itself well.

DJ Shadow, “Good News”

DJ Shadow followed up his excellent 2016 album The Mountain Will Fall with an EP the next year, called The Mountain Has Fallen. It features a couple of nice collaborations with Nas and Danny Brown, and then it has this. The spastic pace, blurting synths, and swaths of noise seem deliberately hostile paired up with some of his most accessible stuff. Overall, though, it’s a solid EP.

Primitive Man, “Loathe”

Primitive Man is very aptly named, a knuckle-dragging sludge/doom act from Denver, putting out punishing, bleak records that are unsubtle in the extreme. This little ditty comes from Home Is Where The Hatred Is, an EP from 2015 that is just basically sunless and crushing like this.

Thou, “Feral Faun”

Thou is actually one of the bands I think of as being closest to Primitive Man, so nice pull, shuffle. I suppose there’s more nuance to Thou than Primitive Man at times, as you can hear in the intro to this song. But, overall, it’s the same kind of bleak approach to things. There’s more melody here, I suppose, if you squint hard enough.

The Pietasters, “Without You”

You know, for a dude who claims to not like live albums, I sure have a lot of live albums. The Pietasters only have one good studio album, Oolooloo, but it’s tremendous. I bought this album because it was the next thing they put out, and I wanted more. This live album captured them at about the same time as their studio masterpiece, and it finds the band in roughly the same form. As a result, it’s probalby their second best album, which doesn’t say a ton about the rest of their career.

Windhand, “Halcyon”

Windhand are usually categorized as playing doom metal, which is to say that they kind of follow in the footsteps of Black Sabbath or at least Sleep. There’s aspects of the sound here which really kind of blur into adjacent genres, which is to say that there’s a certain psych-rock thing going on here, as well as more than a little grunge. Genre categorization aside, this is pretty easy listening for heavy music, and is just kind of pleasant. At least for me.

Happy birthday to the most important listener/reader of Five Songs! YES, YOU.

The Pixies, “Where Is My Mind?”

I’m not sure a week doesn’t go by where Dave Lovering’s entry into this song doesn’t go through my head. And that’s without talking about how often the rest of the song goes through my brain. Where is my mind? It’s on the Pixies, most of the time.

The Jesus Lizard, “Mouth Breather”

Speaking of drum parts that go through my head all the time, Mac McNeilly’s drums here are indelibly printed into my head. When I die (probably crushed by a stack of board games falling on me), you’ll be able to slice me open and find the chunk of gray matter assigned to keep track of this. This is essentially a perfect rock song.

Sumerlands, “Blind”

We’ve talked around here a lot (well, I talked…typed…whatever) about metal’s many genres. One thing that these genres can do is result in pigeonholing your listening too much. So, I periodically sample from genres that I’m not big on. Usually it doesn’t work! This album was one of those experiments, where I decided to go for a modern heavy metal record. It doesn’t really do much for me. Oh well!

Muddy Waters, “You Can’t Lose What You Ain’t Never Had”

For as much as I joke about not knowing shit about jazz (and I do not), I know even less about blues. I’m clueless! So, I’ll just say that this comes from his 1978 album I’m Ready and get out of the way.

Noisem, “Voices in the Morgue”

Well, that’s jarring. Noisem, a death/thrash act from Baltimore, got some positive press a while back, so I picked up this album. But I don’t know, I think I’m pickier about this end of metal, and this doesn’t do a whole lot for me.