Posts

Filastine, “Singularities”

Electronic artist Filastine draws widely from musical traditions from across the globe, pulling in bits and pieces from many cultures to assemble his songs. What could sound eclectic doesn’t come off that way, it instead is more like a kaleidoscope - assembling a fractured image into an interesting whole.

The Dead Milkmen, “Tiny Town (Live)”

Is this one of the rare live albums that elevates past just being a worse-sounding collection of their studio hits? One of those shining gems that comes across just often enough for me to keep buying live albums like a big fuckin’ chump? Reader, it is not. It is fine.

The Baseball Project, “Don’t Call Them Twinkies”

There’s a Venn diagram you can draw, with “Baseball Nerd” as one circle and “Seattle Music Nerd” in the other. In that fantastic overlap sits The Baseball Project and your faithful Five Songs correspondant. Where else can you go for a lovely rock song that name checks Zoilo Versalles? Just the best.

Uniform, “Habit”

And from that piece of charm, we move to the menacing Uniform, sounding like Thaw-era Foetus here. All growling noise and lyrics spit through gritted teeth. The sort of song with a relentless pursuit of “ugly” as an aesthetic.

The Toasters, “Dub 56”

We’re mid-career with the Toasters here, with the Toasters basically having found their sound with Dub 56. They’d further refine it a bit on the next couple albums, but this is more or less where they ended up. You can very much hear their debt to two-tone ska here.

Foetus, “I Hate You All”

After Flow and Blow in 2001, J.G. Thirlwell didn’t release another record under the Foetus moniker until 2006, releasing Damp. When he came back, he was in a very strange place. Like, I’m not even sure what to call this? Deranged big band, I guess? There’s nothing else really like it, and I love it.

Torche, “Admission”

When we had My Bloody Valentine the other day, I confessed that I didn’t really love Loveless. In turn, that means that I’m not really much on shoegaze, which is true. What I do often like is when bands take shoegaze-style wall of guitar and bring it in to other places. Like, Torche’s muscular riff-y rock has those washes of sound, and it’s great.

Jean Knight, “Mr. Big Stuff”

We’ve had “Mr. Big Stuff” on here, but it’s such an all-time jam, I’m not mad. But let’s do six today!

Manorexia, “Zithromax Jitters”

I think I mention this every time Manorexia pops up, but that’s infrequent enough that I think it’s OK: Manorexia is one of J.G. Thirlwell’s (Foetus, Wiseblood, Steroid Maximus, Clint Ruin, etc) aliases. Like Steroid Maximus, Manorexia is dedicated to cinematic instrumental music, and it’s not at all clear what differentiates the two aliases. At any rate, this is an interesting album.

Veda Brown, “Living A Life Without Love”

You can tell within seconds that this is a Stax record. This is obviously from relatively late in the Stax run, when the soul sound of the label had evolved in this lush direction. I’ve always preferred the rawer style of the earlier records, but this is still a lovely sound.

Boris, “Furi”

The first Boris album I encountered was Akuma No Uta after reading a good review of it online somewhere, and I was blown away. To have “Introduction” get followed by two absolute rippers like “Ibitsu” and today’s track, from the same band, I was just in love. Boris has paid that love back with a ton of classic records, many of them better than this album. But it’s still one I return to again and again, because your first album is often special with a band.

Naked City, “Bonehead”

I can often write these little blurbs while each song is playing, as most songs give me enough time to bang out a little bit of garbage for you all to read. Naked City, though? Forget it. Should change their name to Pause City!

Girls Against Boys, “Super-Fire”

This is the opening of House of GVSB, the last album from Girls Against Boys for Touch and Go, not to mention their last good album. Their brand of driving, almost danceable post-hardcore was in fine form here, which makes it a shame that they fell off so hard.

Screeching Weasel, “Leather Jacket”

Ben Weasel started letting some of the songs on Anthem For A New Tomorrow stretch out a little bit, and let the Ramones worship go just a tiny bit. The result is probably his best record - still very much punk, still very familiar, but tuneful and fun.

Aphex Twin, “Radiator”

The second Selected Ambient Works album from Aphex Twin doesn’t quite hit the same way the first one did. It’s very long (two discs of 70 minutes each), and it doesn’t seem like it was edited down enough. The first one is the most important ambient electronic album ever, and this one is more of a curiosity. Add in that I’m not a huge ambient guy, and this album hasn’t really gotten much play since I got it.

Priests, “Youtube Sartre”

This is a fantastic song name, and I’m afraid to search to see if there is anybody who refers to themselves as this. I hope not!

Canibus, “Get Retarded”

Canibus mostly made battle rap, and this track kind of gives you more or less the full range of his subject matter on this album (called Can-I-Bus). He never really evolved from here, and I didn’t follow him after this album.

Operation Re-Information, “Autonomous Auto”

This 100% sounds like something I would have picked up at some point, and I have zero recollection of it. It looks like it’s from 1999, and at that time, I don’t really remember picking this up. Well, whatever, it’s pretty fun. Sometimes we both listen to something new around here!

My Bloody Valentine, “When You Sleep”

It’s hard to describe exactly how horny the rock underground and the music press was for My Bloody Valentine when this album came out. Expectations were already high given the previous album, the band spent a couple years (which was an eternity at the time) prepping this album, and then everybody went nuts when it came out. It seemed like overnight that there were a billion soundalike shoegaze bands, each one more mumbly than the last.