Posts

Tuxedo, “So Good”

It is so good, Tuxedo, you’re right.

Swarvy, “Lesson With Julian”

Kiiiinda regretting not writing more for that first track.

Has-Lo, “Utero”

Well, on track here for the shortest Five Songs entry ever, at least by word count. Maybe by running time also, I don’t know. I’d have to actually do some research to figure that out, and that is absolutely not going to happen.

Cynic, “Celestial Voyage”

Cynic’s 1993 album Focus is one of the foundational documents of progressive metal, as they took death metal and mashed it up with prog and jazz, resulting in an album that was very, very far out there for the time. The constant showy playing can get kind of exhausting, honestly, but it’s hard not to at least respect what they’re up to here. They actually put just this album out, which would have been an impressive one-record legacy…before ruining that by reforming 15 years later. I have not listened to any post-reunion records, though.

Mephiskapheles, “Satanic Debris”

As a statement of purpose for a band, it doesn’t get a whole lot stronger than this one. From the opening backwards masked vocals, to the dark lyrics, the subtle distortion of the guitar lending some additional menace, to the hallmark solo trading, you just have a perfect encapsulation of the (wonderful) Mephiskapheles aesthetic. The odds that a band named Mephiskapheles would turn in one of the finest albums of the third wave seems slim, but God Bless Satan is legitimately a treasure.

Godflesh, “Pure”

Godflesh were pioneers in heavy music, bringing together the guitars of extreme metal with the rhythms of industrial, inspiring bands on both sides of the fence. Streetcleaner is considered a classic, and after an interim EP, they returned with Pure, after some changes in personnel. The drum machine and sampling was even more forward than in the previous album, and the results aren’t really as strong. It’s something of a transitional record, where you can see the seams between the industrial and metal, rather than merging together as a whole.

The Allstonians, “Mikey Dee”

After the collapse of Moon Ska Records left a smoking crater in the scene, it took some bands a while to get back on track. The Allstonians were one of them, with a gap of 6 years between The Allston Beat and Bottoms Up!. The time didn’t really do them any favors - it’s a decent album, but it doesn’t really have the same energy or charm as the first two, which are some of my favorites from the third wave.

Dr. Ring-Ding & The Senior Allstars, “Call Di Doctor”

Just a reminder: this is a white dude from Germany.

Sly & the Family Stone, “Poet”

Sly & the Family Stone’s 1971 record There’s A Riot Goin’ On is a landmark of soul, rock, and funk, even as it’s essentially impossible to put into any of those categories. The band’s optimism on previous records had essentially evaporated, and this record also marked the point at which Sly Stone’s drug issues and interpersonal problems starting affecting the music. The album was recorded with overdubs in the studio, with Sly handling most of the playing, instead of the rest of the band playing it directly. It’s murky, dark, and often strange, and it’s completely compelling.

Swans, “Stay Here”

Filth is maybe the best named album ever made. Belching forth from the no-wave scene in New York City, it’s just 36 minutes of pure punishment. Grinding, scraping, the nihilism is palpable on every part of the record. From Roli Mossimann’s relentless pounding on the drums, to Norman Westberg’s doom-laden guitar work, and especially Michael Gira’s howling vocals, the Swans are operating in a primal mode here that would inspire countless other noise bands. They would tune their attack, add in a lot more variation and complexity, and would end up as one of the most majestic bands ever. But when they started? They were the avatars of everything murky and gross.

Gaunt, “Different Drum Machine”

Every time Gaunt comes up, I say more or less the same thing. But, dammit, I’m write. Gaunt should have been huge! This song is such a beast.

Snuff, “The Damage Is Done”

A minute and a half of just pure punk rock, this is plenty enjoyable. Just going to rip through five tunes today apparently!

The Cinematic Orchestra, “Man With The Movie Camera”

Or not! The Cinematic Orchestra are a jazz/orchestra that married cinematic tunes with, uh, jazz and some of the rhythms of dance music. It sounds like a soundtrack as created by a Ninja Tune band, which is pretty much exactly what it is. Very cool stuff.

Obits, “Spun Out”

Who is making music with this kind of reverbed out surf guitar these days? Honest question, I have no idea, and I like it a lot. Comment down below! Or don’t! I’m not the boss of you.

People Under The Stairs, “Montego Slay”

This song is actually assembled out of a bunch of micro samples of music from commercials for Jamaican tourism, which is pretty impressive given how coherent it all sounds. This sort of careful, detailed assembling is something that always impresses the hell out of me.

Modest Mouse, “Fire It Up”

I really need to go back and re-evaluate this record. Given how much I like the previous three albums from them (and the various EPs), it wasn’t really fair to kind of dismiss the record after only a couple listens. Sometimes it’s easy to just move on when a record doesn’t click right away, especially for a band that you love, because you expect to love it right away.

They Might Be Giants, “Put Your Hand Inside The Puppet Head”

While the first TMBG album certainly sounds primitive compared to where they’d end up, there are still plenty of their hallmarks present even with this early song. They were capable of writing catchy tunes from the beginning, they had the clever lyrics, and the charm was certianly present. The first album has too many incidents of wackiness, too many throwaways to be really great, but there are some fine tunes on it.