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The B.U.M.S., “When She Walked”

We’ve had this record show up before, but In Wanna Smash Sensation should have been an absolute classic pop punk record. Cheerful and breezy, great tunes, great production from Kurt Bloch behind the boards, it’s just a delight all the way around.

Hum, “Pinch & Roll”

This comes from the second Hum LP, but the first one that really started to get them attention. Electra 2000 was distributed by Cargo Records, getting it into a lot more hands. It would lead to a major label deal, a couple of well-recieved records, and eventually an outstanding reunion record after 23 years. But going back to this album, it’s a very good indie rock record, a good picture of where the underground was in 1993, and worth a listen to see where a long-lived band really got rolling.

Eagles of Death Metal, “Anything ‘Cept The Truth”

The opening track of Heart On, the third Eagles of Death Metal album of greasy rock before they went on hiatus. For me, I think that the previous album is a little better - a little scuzzier, a little less slick. Love the handclaps here, though. Five Songs is very much a pro-handclaps space.

Dawnbreed, “Volvoteen”

This album is from 1997, from Trans Solar records out of Koblenz. Dig the CompuServe email address on the back of the album! At any rate, this is a Very Josh sounding album, certainly for that time period. Thing is - I don’t remember it! Might have bought it at a show? Might be an album that Megan bought? Did I buy it in a big batch and forget about it? Who knows?

The Kinks, “Picture Book”

This song is why I started listening to the Kinks, thanks to the cover of the tune by the Young Fresh Fellows on This One’s For The Ladies. It’s such a jam that I went and looked up where it came from, and I was glad I did. It’s such a good album! The Kinks - check ’em out!

Waxahatchee, “Air”

Waxahatchee has been one of the most consistent bands in indie rock over the last bunch of years. Each album just doesn’t miss. This is from Ivy Tripp, which is the first album I heard, and it’s very good.

Botanist, “Nourishing the Fetus (Mandragora IV)”

This is from the third Botanist album, helpfully labeled IV: Mandragora. There’s a I and a III, I just don’t know what happened to II. Down the memory hole, I guess! The next album is a VI. Who knows?

King Crimson, “I Talk To The Wind”

I didn’t really pay much attention to King Crimson for a long time, mostly because the dude I knew in college who was into King Crimson was way, way too into them. So, I just kind of ignored them, just sort of picking up little bits about them. I think I was surprised by how quiet a bunch of In The Court of the Crimson King was when I finally heard it. It really wasn’t at all what I was picturing. It turns out I was really kind of picturing Discipline, but I didn’t realize it yet.

Sharon Jones & the Dap-Kings, “Got A Thing On My Mind”

More from Miss Sharon Jones! This is the first proper song on the first Sharon Jones album, and my goodness, what a way to announce themselves. This is one of the albums that really got Daptone rolling, and it’s a great record.

The Nation of Ulysses, “Shakedown”

A thing that is pretty incredible about the Nation of Ulysses is that Ian Svenonius was able to keep up this kind of shredding vocals for any period of time. Impressive stuff!

Fuckin’ Christmas! YEAH! Gonna find some Christmas tunes for us today! Just going to pick some recent Christmas albums and take a random track from them. Ooh, bonus: PUP playing a Christmas adaptation of “Kids” with some puppets dancing around!

Calexico, “Seasonal Shift”

The title track from Calexico’s just released Christmas album, Calexico is a natural for making a lovely Christmas album. Everything this band does is beautiful, so it’s going to fit totally in with the season. I heartily endorse this record!

Poster Children, “Clock Street”

Unlike a lot of rock bands putting out records in the early 90s, the Poster Children were not signed in the wake of Nevermind. They found their way onto Sire for their 1990 album Daisychain Reaction, putting them ahead of that particular game. Nevertheless, Nirvana’s success put them in a good spot for their followup album, Tool of the Man. It’s more Pixies than Nirvana, with a bit too much brightness to really break through in that scene. But, listening 17 years on, this stuff sounds fresher than a lot of grunge does these days.

Panopticon, “Blåtimen”

Panopticon, the band that is actually just Austin Lunn, gained attention with Kentucky, where Lunn merged his love of Appalachian folk music with his love of black metal and produced an amalagam of the two, creating one of the most distinctive and interesting black metal albums ever. A couple albums down the road from his breakthrough, and he was still playing both of his loves. The Scars of Man on the Once Nameless Wilderness is a double album, and unlike Kentucky, it’s more two halves rather than a melding of the two styles. There’s a midpoint in the double album where it switches from the black metal to the folk. Lunn is an expert at both, so as long as you’re OK with both styles, it’s a great record. This, uh, is from the black metal half.

The Replacements, “Waitress In The Sky”

This is an inner-circle member of the “Songs That Randomly Pop In Josh’s Head” club. Which isn’t the catchiest name, I know. I’ll bring it up at the next meeting.

The Replacements, “I Will Dare”

Well, that’s a first. I ain’t mad!

I’ve said it before, but the Replacements have made the best album named Let It Be.

Negativland, “The Perfect Cut (Canned Music)”

In the wake of getting some minor success, Negativland planned to tour to support Escape From Noise. It quickly became apparent that the tour was going to be a financial disaster, so the band decided to cancel it. Being who they are, they made up a story about why they were canceling it, and fed nonsense to the media that it was a consequence of legal trouble as a result of a kid murdering his parents after listening to “Christianity Is Stupid”. This was at a time when the media was ready to believe all kinds of nonsense about music and games, with satanic panic everywhere, so they got a local news station in California to bite.

Eddie Holland, “Take A Chance On Me”

Alas, no, this isn’t a predecessor of the ABBA song, but now I want to hear Motown style covers of ABBA songs.

The Pietasters, “Without You”

Seems like we’ve had a lot more of the Pietasters live than we have from their studio work, which is kind of a shame. A rational person might ask, well, why don’t I just remove the live record from the collection? To which I say to you, Rational Person, why the hell are you even paying attention to this dumb blog? Shouldn’t you be doing some imaginary figment business or something?