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Mary Timony, “Poison Moon”

This is Mary Timony’s first solo record, and you can kind of hear some pointers towards where here work would head, both with Wild Flag and Ex Hex. There’s more of a new wave feeling to some of this, and less of the indie feel of things. It’s a transitional record, but still very good.

LCD Soundsystem, “call the police”

LCD Soundsystem noisily retired in 2011, making a big deal out of their last show at Madison Square Garden and then riding off into the sunset. Until, of course, they returned in 2017 with a new album. New York, I Love You, But You’re Getting Ripped Off.

Boris, “Spoon”

2011 was an insanely productive year for Boris, with four albums showing up that year, all of them being unusual in some way from their standard. To the extent that Boris has a standard. Anyway, this is from New Album, which continues in the grand tradition of Boris albums being named things that are a pain in the ass (one of the other 2011 albums was called Heavy Rocks, which is the second time they’ve named an album that). At any rate, New Album is sort of a remix, with much of the material here being reworked songs from Heavy Rocks (2011) and Attention Please (another of the 2011 releases). If this is all confusing, welcome to the Boris discography!

Can-i-bus, “Get Retarded”

Hoo boy.

Steroid Maximus, “Quilombo”

Love that upright bass! We’ve had Steroid Maximus before, but this is one of J.G. Thirlwell’s (Foetus, Wiseblood, Manorexia, Clint Ruin, etc) many aliases. Steroid Maximus is all instrumental, tending towards jazz and cinematic stuff. It’s excellent, and this track gives a great sense for what you’d be in for.

The Slackers, “Don’t Forget The Streets”

From the excellent 2008 album Self Medication, this is as good a self-summary of the band as they’re likely to serve up. By the time they hit this album, it was clear that the Slackers were survivors. They started during the boom years of the third wave, and then endured the collapse of their first label, the implosion of the scene, and the derision of music fans. And through it all, they kept cranking out great tunes.

Rocket From the Crypt, “Shy Boy”

We had a track from this album just a couple days ago, and I guess my opinion hasn’t changed in those two days. Still a good record, still not totally put together. This riff is a classic RFTC riff, though.

Firewater, “Another Perfect Catastrophe”

Nice of shuffle to give us a saxophone after hitting us with a sax-less RFTC track. This is a good example of their “wedding band gone wrong” aesthetic right here.

Pitchblende, “Flax”

Now, that’s a tune! Kinda wish they had left the vocals off, they’re pretty unnecessary here.

Pardoner, “My Sorry Ass”

A end-of-year list discovery from 2017, I didn’t know anything about this band before getting this record. But listen to that Pitchblende song (from 1993) and then this, and there’s just a straight line connecting them. This album rocks, in case it wasn’t clear.

Wick-it The Instigator, “Everlasting Shine Blockaz”

Here’s a fun one! Wick-it took Big Boi’s magnificent Sir Lucious Left Foot: The Son Of Chico Dusty and combined it the the Black Keys’ Brothers, resulting in a very fun mash-up. Listen to this track and then you can immediately decide if it’s your thing or not.

X (Australia), “Suck Suck”

This is a punk band named X, but not THAT one. This one is from Australia, which is why Amphetamine Reptile credited them this way after re-issuing the record. This album came out in 1979, actually pre-dating the first album by the Los Angeles X, although the latter had already formed. Parallel evolution! Anyway, as you can hear, this is pretty aggressive stuff for the time, and is a solid early punk record. This is one of those records that was more inspirational than it was popular but is worth hunting down to listen to.

Polvo, “Every Holy Shround”

My current favorite burn for doofy looking middle-aged dudes who look a certain way is to say that they look like they have strong opinions about the best Archers of Loaf EP. (This is mostly a self-burn.) Anyway, I’m now currently considering updating that to the best Polvo EP, but I’m not sure that that’s appropriately controversial enough (it’s this one). And I just continue to burn myself.

Danny Weinkauf, “Champion of the Spelling Bee”

After the success of the They Might Be Giants kids albums, which included a few songs written by bassist Danny Weinkauf, he set out on his own and recorded a couple records in a similar vein. They’re pleasant enough, but by the time they were out, I didn’t really play them for the kids and so they’re just kind of in my collection.

Medeski, Martin and Wood, “Hey-Hee-Hi-Ho”

If my search is to be trusted, there are about 102 blog posts on this site indicating that I don’t know shit about jazz. Sad that I’m so ignorant, given that I actually listen to a fair bit of it.

Calexico, “Black Heart”

My favorite Calexico record. If this song doesn’t grab you, I’m afraid to inform you that you’re hopeless.

Therapy?, “Nausea”

Therapy? was a band that kind of got tagged with an alternative metal label during the early 90s. It kind of makes sense - this isn’t as gritty as grunge, and it’s not robotic enough for industrial metal, but it also doesn’t really have any markers of any of the genres of metal going at the time. This is from Nurse, a record that got them signed to a major label. It’s a decent record, although I’ll confess I haven’t thought about this band in ages.

The Decemberists, “Billy Liar”

I think I still like Her Majesty, the Decemberists the best of their records. At least some of that is the halo effect of it being the first album of theirs that I picked up. I had skipped Castaways and Cutouts when it came out, but I was wandering in Sonic Boom records in Fremont (RIP) and was sufficiently charmed by the cover art to give this one a whirl. And from the moment I first heard that ship creaking, I was hooked. I think that probably Picaresque or The Crane Wife might be better, but whatever! This is my favorite!