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Jawbreaker, “Boxcar”

After Jawbreaker broke up in the wake of their sole Geffen record, there were a couple more releases to tie up the band’s catalog. In addition to a live record we got Etc., a collection of rarities, outtakes, and singles. Jawbreaker were great enough that even though this collection of stuff isn’t coherent, it’s still a good overall release. Some things I could probably do without, like this alternate take of “Boxcar”, but I’ll forgive those sins to have the rest of the material all in one place.

Big Boys, “We Got Soul”

An early hardcore band in Austin, the Big Boys inspired a bunch of bands that followed them, including folks like the Butthole Surfers. It’s also where Rey Washam (Scratch Acid, Rapeman) and Tim Kerr (Poison 13, The Monkeywrench) got their start. All of the Big Boys’ catalog was helpfully compiled into two discs, with The Skinny Elvis comprising the first half of their career and The Fat Elvis (which gave us today’s track) the second half. Among other things that made them great, they were totally unafraid to just straight up play some funk, which is delightful.

Propagandhi, “Resisting Tyrannical Government”

Less Talk, More Rock is such a good name for a Propagandhi record. I can only imagine how many knuckleheads brayed at them something along these lines. Anyway, it’s a delight.

Flop, “Act 1, Scene 1”

After Flop’s one record for Sony was a commercial failure, Flop went back to Frontier Records and banged out a third stone-cold pop classic. It’s tighter than the first record, and maybe sliiiiightly less catchy. But it’s still a ton of fun, and it’s sad that we only got three albums from them.

Cheetah Chrome, “Still Wanna Die”

It’s been a while since we’ve had a track from this record. This is from the Ork Records: New York, New York compilation from the Numero Group, which captures the early punk label Ork and the early New York punk scene. There’s a ton of really strong material here, and even the stuff that’s not great is at least energetic. Just a tremendous compilation.

Consolidated, “You Suck”

Proudly communist rap group Consolidated did everything they could do to try and piss off the troglodytes. In this case, pulling in the Yeastie Girls to guest on the track and rap about oral sex was a move that was pretty far out of the norm for 1992. Given how stiff they usually were on the mic, the guests make this one of the more memorable songs on this record.

It has been about a month since I’ve written one of these. How is that possible, with me not missing a day? Prior to going on vacation for a while, I had piled up a bunch of pre-written posts for you all to enjoy (?) while I was out. And then, when I got home, I managed to goof up my media server and then completely trashed the hard drive where all my music was stored! But I’ve replaced the server, restored my backup, gotten everything rolling, and I’m back in the saddle! The month off will do me good, I think. Let’s see!

Minor Threat, “Filler”

The first Minor Threat song ever released, and the birth of harDCore. From the very beginning, Minor Threat was absolutely killing it. And, as a bonus, this is still one of the very best rock band names ever.

Skinnerbox, “Help Me”

This song comes from Special Wild 1989-1994, a compilation pulling together non-album tracks from the band. There are really a couple different ways comps can go. Some bands just put out their best material all over the place, and the comps become essential for pulling all that stuff together instead of trying to piece things together from the singles and EPs (the Belle & Sebastian/Superchunk route). Others clearly save their best material for the albums, and the comps then are something of an afterthought and spotty. Skinnerbox, alas, falls in this second comp. This is a record only for the serious fan.

Indian Handcrafts, “Starcraft”

Hooray for rock duos! Major riffage here, you almost don’t notice the absence of a bass player.

Stevie Wonder, “Another Star”

Stevie Wonder allowed himself some space to stretch out on the second album of Songs In The Keys Of Life. That sort of thing can dissolve into self-indulgence, but of course Stevie is one of the best ever, so it’s really just more of his stuff. It’s great!

The Aggrolites, “Reggae Hit L.A.”

The Aggrolites, a ska and reggae band from L.A., are somewhat unusual. The got started after the third wave had receeded, and there aren’t that bands working in this space that didn’t get rolling back then and just keep going. Or, at least, not many that I know about. At any rate, Reggae Hit L.A. is full of energy and sounds good, so I recommend it.

Screeching Weasel, “The First Day Of Summer”

Bark Like A Dog is the first Screeching Weasel album that came out after I’d graduated from college. It was also the first record after Ben Weasel decided to end his Ramones worshipping band, the Riverdales. And, you know, return to his previous Ramones worshipping band. At any rate, this stuff wasn’t quite hitting me totally right, and it was the first Screeching Weasel album where I found myself questioning why I was still picking up the records. I did last one more, though, because of course I did.

Helium, “XXX”

Amazingly, despite having Mary Timony show up here with Ex Hex, Wild Flag, Autoclave, and even as a solo artist, we’ve never actually had her show up with the band she’s most famous with, Helium. That ends today! If you couldn’t tell with my following her career across five different acts (maybe the most of any artist in my library!), I’m a huge fan. And I really do love her later work, but Helium is my favorite of her bands. It’s indie rock, yes, but the songs are really interesting and just so well done. I think this song speaks for itself, though.