Posts

John Coltrane, “Naima”

I often feel inadequate on this blog. My words are woefully insufficient to describe so many of the beautiful songs we get on here. Writing about music is hard, even for somebody good at it. Writing about it for an idiot like me is basically impossible. I’m just banging rocks together here and ooking at the moon.

And then something like Coltrane comes up, and I really vanish. What can I possibly say that’s going to add to one of the true artistic triumphs any of us are likely to encounter? You either feel this in your heart, or you don’t, but it’s not like I’m going to be able to awaken your soul with my typing.

Pardoner, “My Sorry Ass”

We’re unabashed Pardoner fans here at Five Songs, who do a great job of bringing that 90s indie rock aesthetic into our ears. Go listen to them! They’re really good!

John Oswald, “Btls (Marco Integer)”

I think that’s the chord from “A Day in the Life” getting deconstructed. Fun!

The Exceptions, “Circles”

I generally like it when ska is mixed like this, with kind of an intimate mix putting the vocals forward and sounding like it’s in a small room. It’s nice!

μ‐Ziq, “Iesope”

I can remember bozos complaining about electronic music back in the early 90s, claiming that it wasn’t “real music” and that it doesn’t take any skill to play the instruments. And, of course, that doesn’t really deserve any refutation, but I think about it sometimes when I listen to stuff like this, and consider how careful the composition is. And that some knucklehead might dismiss it just because nobody chugged through any power chords on a guitar.

Happy Thanksgiving to all my American reader/listeners! I don’t think I have any non-American reader/listeners! I barely have any American ones. Hmm, let’s do “dinner” for a special word. For those of you who haven’t seen me explain these before, when I do a special, I search for a word or phrase in the library and pick the random songs from that.

The Evens, “Dinner With The President”

The Evens (Amy Farina and Ian MacKaye) put out their second album, Get Evens, pretty quickly after the first one. And I think it’s a step forward, they seemed to be more comfortable with how to write songs to suit such a stripped down lineup. Is folk-punk a thing? I guess it is.

Godflesh, “Pulp”

When Streetcleaner was released, people would lump it in with grindcore, because Justin Broadrick cut his teeth in grindcore progenitors Napalm Death. But this isn’t grindcore, not the way we understand the genre today. Listen to yesterday’s Piss Vortex track again (it’s only thirty seconds!) to remind yourselves of what we think of grindcore. Instead, this really is either slowed down industrial metal (given the drum machine driving the proceedings) or more like doom. Either way, this is a touchstone for numerous heavy bands, who look to the plodding, punishing rhythems of this record for inspiration on how to make something really heavy.

Front 242, “Quite Unusual”

I’ve mentioned before on here, but I think Front 242 might have aged the best of the various industrial dance acts that I listened to in the late 80s/early 90s. I guess Nine Inch Nails aged better, but Reznor only really made one record of industrial dance before moving on. But this sounds pretty good! The synths here are very *wave, but that’s a good thing. And the vocal delivery avoids the histrionics that others used that sounds a little silly today.

Run The Jewels, “Blockbuster Night, Pt. 1”

El-P and Killer Mike first got together on the latter’s R.A.P. Music, which is an amazing album. When they announced a full collab, the first Run the Jewels record, I was pumped. And it was excellent, some of El-P’s best production ever (to that point), and it was just a great time all around. And they stuck with it, and somehow Run the Jewels 2 found another level. It’s pissed off, righteously so, and funnels all that rage into focused, punishing tracks. One of the best hip hop records ever.

Albert King, “Crosscut Saw”

A repeat! I think we’ve actually had it at least twice before. Still smokes, though.

Einstürzende Neubauten, “Good Morning Everybody”

God, the opening of this song is so menacing. This is from Grundstück, the second supporter-only album that they released in 2005, back when crowdfunding was still something pretty far out of the mainstream. They successfully funded and released a series of albums, relying primarily on word of mouth to find folks and doing payments directly. The resulting albums were no compromise, they’re full-on Neubauten records and this one in particular is excellent.

SOB X RBE, “Paramedic!”

Kendrick Lamar assembled the soundtrack to Black Panther, which ended up being a set of songs that are more inspired by the movie than necessarily being a traditional soundtrack. Kendrick is involved with everything, taking different roles depending on the song. As a result, even though there are a lot of different artists, it still feels like a coherent album. It’s not quite as magnificent as his recent proper albums, but really, what could be?

SNFU, “Costume Trunk”

I think I’ve said before I’m not a big fan of this record, and I think maybe part of it is the way the record is mixed. The vocals are too forward, and it throws the balance of things off.

Tuxedo, “Dreaming in the Daytime”

Just filthy, y’all. Listen to how fat those synths are! And come on, a guest verse from MF DOOM (R.I.P.)? Come on.