Matt Pike had a big 2018. In addition to Sleep emerging from a fifteen year, uh, slumber to produce the very good The Sciences, he also put out a High on Fire record, Electric Messiah. High on Fire is one of the more consistent bands around, and so it is with this record: you’re going to get a Lemmy-esque bark, you’re going to get those big stoner riffs, and you’re going to get some solos. Just a crunchy good time.
[Read More]Odd Future was a whole thing that is one of the earliest pop culture things that I might have liked but that I feel totally missed me. I know some vague things about it, that Tyler, the Creator was kind of the center, and that Frank Ocean and Earl Sweatshirt were involved. But, I dunno, I guess the rest of it all just sailed right past me. That said, I really like Earl Sweatshirt’s stuff, so I probably should go back and listen to Odd Future. I mean, if there are records with the collective on it. I dunno, man, I’m out of touch here.
[Read More]Vulfpeck, the funk band that met in Michigan and is now in LA, have just been moving their own way through the music industry from the beginning. They’ve self-released their stuff, they’ve produced a ton of releases not always neatly organized in albums, there are a bunch of related acts that they release music from, and it’s all frankly kind of inspiring that they’ve had success kind of creating their own cottage industry.
[Read More]Super straightforward garage rock out of Australia, the Cosmic Psychos have been banging out records since 1987. According to Discogs, they’re apparently still out there making a ruckus - they have a release in 2021. My contact with them is isolated to the early 90s, when they were releasing records on Amphetamine Reptile Records, and I enjoy those albums as the pretense-free punchers that they are. I’m not sure I need to check out their recent work, though.
[Read More]Is cake slow? I don’t think of cake as a particularly slow food. I suppose it takes a while to pre-heat the oven, bake the thing, let it cool, and then decorate it. So…maybe they are slow. But they’re not what I think of when I think of slow food. Beyond the obvious molasses, I think of, say, smoking things as slow.
The band Cake isn’t really slow either.
[Read More]Every now and again I encounter a record that I can’t seem to be able to buy on digital, but is available on physical media. Usually it’s some older release that nobody has bothered putting onto digital marketplaces, but sometimes there will be some new vinyl-only release by somebody. Or worse, cassette-only. Chartreuse Bull was one of those when I first bought it, although it subsequently showed up on Bandcamp. But included in the LP when I bought it was a code to download a digital copy, and I appreciate that so much, thank you to their label.
[Read More]This comes from Calexico’s Christmas album, Seasonal Shift. The major concession here is that the guitar line is a little more filled out, and there’s a little bit fuller chorus. It’s a Calexico song otherwise, which is a perfectly good thing.
Crack the Skye is Mastodon at its most Mastodon-y, with their prog-metal thing reaching a logical endpoint. They’d back off a bit from this sound later, but I kind of wish they hadn’t. I want a band to just keep getting more and more elaborate and decorated. I want them to get ten albums in and have the whole damn thing be totally unparseable by normal humans. Have it sound like it fell to Earth from outer space.
[Read More]‘Scuse me while I fuck this blog!
Didn’t we just have Steady Ernest? I wonder what the most frequent ska band we’ve had show up here is? Seems like it should be the Slackers, just going off the number of albums I have from them. 22 tracks from the Slackers. Geez. I don’t remember them showing up that much. I guess I’ve been doing this for a while.
[Read More]1962, baby!
I really enjoy the sax blowing while he’s rhyming, it really sets things off, and makes my ears kind of ping back and forth between what sounds like competing leads. That tension really provides a lot interest in the tune.
Chaos Rules: Live at the Trocadero is sort of a live career retrospective by the Dead Milkmen, but I gotta say, it’s hard to recommend it. The live renditions don’t add a ton, and the sound quality isn’t great. Uh, as you can hear.
[Read More]There are a bunch of long songs on YSIV (Young Sinatra 4), but I’m not sure that it totally works for me. Goodness knows I don’t have a problem with long songs in general, but I really kind of want more evolution over the course of a track than this exhibits.
See, now, this makes a point. Bellow through a bullhorn, pound away with some bass and drums, get the point across. Done.
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