Five Songs, 12/15/2017

Maybe the most dangerous of the year-end roundups is Bandcamp’s, which always results in a lot of stuff for me. As for today’s music, well, I really like two of today’s songs an awful lot. The other three are a little…slapdash, let’s say.

The Skatalites, “Wood and Water”

We get a lot of third-wave ska acts around here, and usually, we make fun of them. Or, at least, a good percentage of them. We get enough of them that maybe a quick refresher is worth our time? When we talk about waves of ska bands, we’re referring to:

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Five Songs, 12/14/2017

Another year-end roundup, this time from NPR. Meanwhile, another good set today. I feel like shuffle has been doing well for a little while.

Bim Skala Bim, “Shoes”

I’m surprised we haven’t seen Bim Skala Bim yet. One of the earliest bands of the third wave, arguably early enough to not be part of the third wave at all. They certainly reached their peak of fame during the third wave, though. With a stable lineup and an approach much like the 2 Tone second wave acts, they produced a solid series of records throughout the late 80s and 90s. This comes from Tuba City, their second album, which somehow got miscategorized in my collection with this album art:

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Five Songs, 12/13/2017

Another year end roundup, this one from Allmusic. More will be coming! Today’s music.

Camper Van Beethoven, “Turquoise Jewelry”

You know, up until listening to this now, after listening to some Firewater earlier today, I’d never really made the connection between the bands. But I think there’s some similarity between them, especially with the last couple Firewater albums.

Wilco, “The Jolly Banker”

Back to Alpha Mike Foxtrot for a delightful little tune that basically sounds like an Uncle Tupelo number. That’s, of course, a good thing.

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Five Songs, 12/12/2017

Yay for year end roundups! First one I’m looking at is The AV Club’s roundup and their ballots. So far, I’ve already picked up two records, Infinite Wave by Vagabon and The Incessant by Meat Wave. Fun! Today’s music!

Isaac Hayes, “Walk On By”

Oh my. With the untimely passing of Otis Redding, Isaac Hayes became probably the most important artist at Stax, writing and contributing to innumerable hits. He was also, of course, a tremendous performer in his own right, with songs like this being a great example. This appeared on the album Hot Buttered Soul, which is just tremendous.

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Five Songs, 12/11/2017

Another fun set today.

Plaid, “New Bass Hippo”

As I mentioned last time, Plaid was around for a long time, but I only picked up a couple of albums. I feel like you can really only deeply know a few genres, and electronic stuff has gotten squeezed out of my brain for no good reason. I’m sure I’ll go on a binge at some point.

The Beastie Boys, “Pow”

I’ve always loved Mike D’s drum break in this song. I should try and play it. That’ll probably bug Megan proper!

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Five Songs, 12/9/2017

Today’s set is a real barn burner.

Art Brut, “People In Love”

This song, from It’s a Bit Complicated, is a solid encapsulation of Art Brut’s unique brilliance. Art Brut only makes sense to someone that has consumed a ton of pop and rock, and internalized all the cliches from them. If you’re that person, Art Brut’s send ups of all that stuff will just hit squarely.

Blackalicious, “The Fabulous Ones”

We’ve had Gift of Gab as a solo artist, but here he is on the breakthrough Blackalicious LP, Nia. From the lush, jazzy beats to the incredible rhymes, Blackalicious immediately became one of the highlights of hip-hop. This record still sounds fresh, 18 years later (OH GOD I’M OLD), and it and the follow-up Blazing Arrow are one of the strongest one-two punches of any rap act ever.

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Five Songs, 12/7/2017

Hey, the AV Club’s “The Year In Band Names” is out! Oh, and we have music for today.

Two Fingers, “High Life”

Side project of Five Songs favorite Amon Tobin, Two Fingers is a collaboration with another producer named Doubleclick, along with some assorted MCs. In particular, Sway appears on most of the tracks here, including this one. And, damn, but it all works great. Stuttery and spastic in all the right ways, with some fun vocal work, this is a very entertaining album.

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Five Songs, 12/6/2017

Five Songs today features the most skippable song we’ve had yet! Enjoy!

PDQ Bach, “Classical Rap (S. 1-2-3)”

Oh god, I’m sorry. This is from Oedipus Tex and Other Choral Calamities, the best (?) of the PDQ Bach releases, I think. Oh, this is credited to “Grandmaster Flab and the Hoople Funkharmonic”. He won a Grammy for this thing.

(NB: The video I’ve included here includes the introduction to the piece, which provides some important “context”.)

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Five Songs, 12/5/2017

Very metal today.

Zu, “Rudra Dances over Burning Rome”

Hell yes. Do Zu play heavily rock-inflected jazz? Is it instead jazzy avant-garde metal? Who cares, is it fun? (It is.) I wandered into Zu after learning that Mombu was a side-project of parts of Zu, and I’m glad I did. I love this kind of genre-hopping mishmash of stuff.

Blut Aus Nord, “Paien”

Black metal band out of France, Blut Aus Nord has been making an unholy racket for twenty something years now, cranking out a ton of albums including multiple trilogies. If that sounds overwrought, that’s probably because it is, overwrought theatrics being part of the classic black metal playbook, along with strangled vocals, blast beats, and furious tremelo picking. This comes from Memoria Vetusta III: Saturnian Poetry which, yeah - overwrought. This song would probably tell you if you want to listen to more Blut Aus Nord or not.

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Five Songs, 12/4/2017

This set was going pretty well for a while! Oh well.

Meat Beat Manifesto, “I Got The Fear, Pt. 3”

Meat Beat Manifesto had a bit of a strange start to their career. Their first album was destroyed in a studio fire prior to release, a story that the band has stuck to but their label denied happened. Their debut album then instead became Storm the Studio, which was really just four songs, but they put out multiple parts and variations of everything. That was then followed by Armed Audio Warfare, which was their attempt to re-create their actual debut record, so they kind of released their first couple albums out of order.

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