Another good one, as Five Songs continues its roll.
A charming little pop song from matt pond PA.
Here’s a delightful song off that second album that the Presidents made that nobody really paid attention to. The loose charm is still present, the hooks are solid, and the wordplay is fun. Basically, this album is a goofball winner.
[Read More]A hint for anybody trying to sell records to Five Songs International: get somebody to drop “noise rock” somewhere in your review, and I’m all over it. Wiccans fit that category. And yeah, they basically sound like a vintage Amphetamine Reptile band. Maybe a little shoutier than some, AmRep bands often had the vocals buried in the mix, but musically it’s very much in that tradition. So, of course I like it!
[Read More]We’ve had Mos Def, we’ve had Talib Kweli, but now it’s time for their collaboration. Black Star loomed large over the later careers of both men, and for good reason: this is easily one of the greatest hip-hop records ever made. Off the top of my head, there are only a very small handful of records I’d put ahead of it. The spare, precise, jazz-inflected beats married perfectly with the impossibly deft rhyming from Mos and Kweli. This album is basically perfect.
[Read More]Every now and again, we get a huge band around here, and I’m never really sure what to say about them. I mean, sure some random-ass Canadian punk band, I can give a little capsule biography, talk about their discography. The Foo Fighters, though? Everybody knows them. Or, probably everybody reading this. So, I guess I’ll just say that I only have this album, The Color and the Shape, which I like just fine. But I never got around to picking up other albums.
[Read More]Peter Christopherson is one of the true innovators of underground music, performing as a member of industrial/noise pioneers Psychic TV and Throbbing Gristle. He then went on to become part of Coil, a band dedicated to electronic music in all its forms. Coil worked with an impressive list of collaborators over the years, and their career is hard to describe. While usually lumped in with industrial acts, usually due to the company they kept, Coil was much more organic and human than most of industrial music. It usually made them all the more unsettling as a consequence. Coil tended to explore the underbelly of human existence, and their lyrics were usually pretty unflinching and often pretty out there.
[Read More]Prolific post-punk act Two Inch Astronaut are keeping the Dischord sound alive. It’s interesting to me how subgenres of rock splinter off and just keep going forward once established. All it takes is a band or two to set the template, and we’ve got an entire new set of bands to keep track of. Anyway, I like this album, it sits squarely in my interests.
[Read More]A song from Low, the collaboration with Brian Eno that I brought up last time. A record jammed full of synths and ideas, this might be the most conventional and accessible song on the album. I’ll be honest, I kind of don’t feel totally qualified to talk about Bowie. I like a lot of his music, but I’m far from an expert.
This song gives a good idea of what Pussy Galore sounded like when they kind of had their shit together. To the extent their shit was ever together. Manic garage rock with atonal shouting was basically the order of the day.
[Read More]A slow start today, but it picks up.
Yes, it’s a reading of the Lewis Carroll poem, complete with pitch shifting.
Another track from Lese Majesty, although this is kind of a throwaway. Not a great start to today.
Our second visit from my favorite band. Here we find a track from Steady Diet of Nothing, their second full album (13 Songs was originally released as two EPs). On Steady Diet, they took yet another big step away from the hardcore of Minor Threat, and a further step towards the angular art-rock that would define the post-hardcore sound. The songs on Steady Diet are slower and more deliberate than those on Repeater, and the album is just less direct overall. That makes this a little bit of a transitional album, with Fugazi learning some new tools, tools they’d master with In On The Kill Taker. That album would find them synthesizing the fury of Repeater with the more elliptical sound of Steady Diet.
[Read More]I’ve always been a little fuzzy on the genre “emo”. I’m old enough that it’s come around multiple times as a genre label, being applied to bands ranging from Rites of Spring to Touché Amoré. And it seems like the only thing really tying all these various scenes is some kind of punk sensibility married to heartfelt lyrics. Benton Falls usually gets described as emo themselves, but to my ears, this is pretty much just post-punk. But it’s good post-punk! If this is emo, so is Jawbox, is what I’m saying. And I don’t think anybody has described Jawbox as emo. (OK, somebody certainly has.)
[Read More]I want to call to attention how immaculate this recording sounds. All three instruments just have so much space to operate in. At any moment, you can focus entirely on any instrument and really concentrate on it. Or, of course, you can just relax and enjoy the charming song.
Honestly, the way this song starts, it could have been a Shadowy Men song. At least until the vocals kick in. British underground rock Arctic Monkeys became pretty big deals, propelled by the Internet, but it was pretty justified. The first couple albums were very much in the vein of bands like the Strokes and Franz Ferdinand, but done very well. I didn’t really follow them beyond the first two albums, though.
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