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Today!

Rocket From The Crypt, “Suit City”

I love the urgency in this song, it’s always driving forward hard. And it sticks around for just two and a half minutes. Get in, do what you want to do, get out. Nice.

Nine Inch Nails, “Let’s Hear It For Nine Inch Nails”

OK, you ready for what is probably the most obscure and dumbest thing we’ve had on here yet? Right. This is from the “Head Like A Hole” extended CD single. Four different mixes of “Head Like A Hole”, two of “Terrible Lie”, three of “Down In It”, a b-side, and then this. Four seconds of someone saying the title of the track to close out the CD single. And now, you’ve all listened to it. Somehow, it was already on YouTube.

Nice one today!

Yautja, “for naught”

Kind of math-rock, kind of death metal, this kind of hybrid makes me happy. Which it probably shouldn’t! This comes from the EP Songs of Lament, the followup to their excellent Songs of Descent. Both are worth looking into.

Bathory, “Shores in Flames”

Bathory were black metal pioneers, with the singer Quorthon’s strangled croak setting the template for black metal vocalists that persists today. The primitive recording and washes of guitar noise also formed one of the pillars of the genre. But, not content to provide some of the building blocks for one type of metal, Bathory re-invented themselves. The album prior to this one started experimenting with breaking out of the template, but Hammerheart showed that the template was gone. This song is the opener of that album, featuring Quorthon actually singing, and the songwriting now was focused on the epic rather than the squalid. And, indeed, Bathory had now invented the subgenre of Viking metal which, yes, is a thing. Bottom line: there aren’t very many bands that have ever been as metal as Bathory, and there aren’t very many bands more influential on the genre.

Today’s music.

Presidents of the United States of America, “Blank Baby”

This song comes from Freaked Out And Small, by which time most people had long since moved on. The major labels certainly had, as the Presidents found themselves back on an indie label. But that’s fine, they were still putting together fun stuff. And maybe that’s what’s so enjoyable about the Presidents. They always legitimately sounds like they’re having fun, and it’s infectious. I don’t think this album beats their second one, but it’s still very good.

This was so close to being great today.

Sam & Dave, “I Thank You”

I was wondering when we’d get Sam & Dave, one of the top acts from Stax and reliable hitmakers for the label. The drought is over! This comes to us from 1968, an Isaac Hayes song, and goddamn, listen to that.

Martha Reeves & the Vandellas, “Heat Wave”

Hell yes, shuffle, keep it going!

For a long time, I’ve always thought that at some point, the rats in one of the Muppet movies sang a little bit of this song. Well, my memory was only a little right, the scene had just a little echo of this song.

And the beat goes on!

Terrace Martin Presents The Pollyseeds, “Wake Up”

From Sounds of Crenshaw, Vol. 1, this album is from producer Terrace Martin, who is best known for his work with Kendrick Lamar. On this album, he also has other folks in the Lamar orbit, such as Kamasi Washington (whose playing on the sax you’re listening to). A mix of R&B and jazz, it’s a very interesting album, and absolutely worthy of further exploration, although don’t expect anything as banging as, say, “LOYALTY.”

The Management would like to apologize for yesterday’s entry. Those responsible have been sacked. Let’s try this again today.

Less Than Jake, “Just Like Frank”

We’re not rid of the ska, apparently! Actually, Less Than Jake really are barely ska at all. They have the occasional ska song, but they’re really a punk band. And a good one! Have I made that point before? I probably have. Whatever. Here at Five Songs, Quality is Job Six or Seven On A Good Day.

Happy Pi Day! I do not celebrate Pi Day usually. I have occasionally done something for Pi Approximation Day, though. Let’s do a special!

The Pietasters, “Night Owl (Live)”

So, in case you haven’t guessed, our special word for today is “pie”. As with some previous specials, I searched my library for our magic word, and shuffled between those songs. There was a significant risk of a lot of Pietasters today. (UPDATE: indeed there was.) Anyway, the Pietasters were a third wave ska act who made one out-of-character tremendous album (Oolooloo) and an assortment of lesser albums. This is from a decent live album, Strapped Live!, where most of the best songs are from Oolooloo. So, you know, that album is really good!

Nice set today!

Baroness, “Desperation Burns”

I mentioned last time around that everybody would have called these guys grunge if they had been around in the mid-90s. Tell me I’m wrong after listening to this!

Elvis Costello, “Pay It Back”

A jaunty little tune from his debut album, I’m not even entirely sure how to describe this. That’s because I’m shitty at writing about music. Good thing I go ahead and fail at it every day!

Al count for today: two.

Ministry, “Death & Destruction”

I was just making fun of the fact that Ministry just released a new record called AmeriKKKant with the Statue of Liberty doing a facepalm on the cover. That’ll teach me! Anyway, as I’ve mentioned in the past, I was big into Ministry in high school. In-your-face attitude! Super fast crunchy guitars! Edgy vocal samples! It pretty much hit 15-year-old Josh square where he lived. The thing is, I grew up. Ministry didn’t. The window in which I loved Ministry was only a few years.

A hazard of this project is that I won’t always have much to say. Sorry about that! At least I have music for you.

Claw Hammer, “Caravan”

Claw Hammer was a bit of a strange band in the underground of the 90s. For starters, their first album wasn’t really their album. It was just a cover of the entirety of Devo’s first album. Jon Wahl sang in some kind of demented John Fogerty meets Joe Strummer kind of howl. They sounded like a blues band crashed into a punk band and decided they liked it that way. Through it all, they clearly were just doing their own thing. They were often exasperating, but sometimes brilliant.