Don’t have a ton to say today!
The Goats were an underground rap act out of Philadelphia, notable for using a live band during their second album, from which this song comes. Musically they would have fit in with the Tommy Boy acts of the time, such as House of Pain. Overall, the first album was pretty charming, and the second one kind of dragged. Honestly, I can’t remember listening to this stuff for probably 20 years.
[Read More]Pretty sure I’ve talked about how uneven Muse Sick-N-Hour Mess Age is, and it really is. It’s the album that marks the sharp decline of PE from the legendary band to the often baffling outfit that’s still out there still making stuff. But the album really has some peaks. This is one of them. The beat is dense and bouncy, Chuck kicks several different flows, and they basically capture their glory days. The verse that kicks off “I never did represent doin’ dumb shit” is one of my favorite verses from him ever.
[Read More]Good one today! Well, if you ignore that we have a rap skit.
The closer for De La Soul Is Dead, the final skit that imagines some bullies discovering stealing the album and deciding it blows. De La Soul was clearly reflecting on a break they were attempting from the first album, of trying to shed their image as rap’s flower children. While De La Soul Is Dead contains plenty of shimmery, bouncy, light tunes, it also features darker material like “My Brother’s a Basehead” and (especially) “Millie Pulled A Pistol On Santa”, a tragic tale we’ll talk about when it comes up.
[Read More]This is how Thou’s album Algiers ends, which is a collection of assorted EPs and singles. There’s something so elemental about the way that Thou sounds. Something about the entire sound of the band is downright contemptuous. Lots of bands manage to sound ugly, or grim, or noisy, or just generally awful. Thou somehow manages to sound spiteful, which is a neat trick. Well, I dunno about neat. Anyway, this collection isn’t a bad place to start with Thou. Or Heathen, which is a great metal album name.
[Read More]I think it can be easy to dismiss all these neo-folk types as posers, as just boring sensitive white guys with guitars. And yeah, but some of them are clearly playing something pretty inspired as well. Sam Beam, doing business as Iron & Wine, is one of those worth paying attention to. His debut album, The Creek Drank The Cradle, is pretty precious, but it’s just filled with really nice songs. It’s just Beam’s voice and guitar most of the time, with just the occasional touches of slide guitar or banjo, as you can hear on this song. And while obviously, we here at Five Songs go pretty far in to pretty grim and noisy stuff, sometimes you just really need a pretty song, and Iron & Wine delivers.
[Read More]I’ve complained about the total lack of quality control on Pavements non-album material. For every “Texas Never Whispers” or “Unseen Power of the Picket Fence”, there were a dozen songs like this one lurking in the wings. But hey, at least we’ve got basically every studio dropping ever put on tape by the band lovingly preserved in deluxe editions! That way you can listen to that junk once and never again!
[Read More]Here we find Dale Crover playing one of the most straightforward rock songs that he’s probably ever been involved with. I guess you can see how this might not really be a Melvins song, and I’m not sure it’s really necessary, but whatrever, it’s totally fine.
We’re in 1963 with this song today. Frankly, Smokey is sounding a little Chipmunk-y on this song, making this a little less than the best from him.
[Read More]Well, it’s not as good as yesterday.
Pretty much what it says on the tin. I knew today wasn’t going to be as good as yesterday, but this is not a great beginning.
This comes from an album called One Way Ticket To Skaville. Say what you want about Skaville, but it’s very clean. Basically no litter. After all, everybody there is just so willing to pick it up, pick it up, pick it up.
[Read More]Run The Jewels 2 is just perfect. El-P’s beats have never sounded better, Killer Mike’s rhymes have never soudned better, the guests are fantastic. It’s just such a great album, one of the highlights of music this decade.
It’s a repeat! Still, Hepcat is always welcome around here.
I always feel like categorizing the Minutemen as a hardcore band is such a bad idea. They get lumped in there because they would occasionally take that tempo, and of course they were labelmates with a bunch of hardcore bands. But they’re so much different, so much more open to experimentation. Just listen to this!
[Read More]Six songs today! I should probably just automatically skip everything with Jay-Z in it.
I don’t listen to Close My Eyes very much. Primarily because the second song on it, “Old Dog”, really kind of upsets em. It’s a good album, though, and I really should listen to it more often. Here, we catch the Slackers going into dub some, which they do every now and again.
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