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It’s not great today.

Ghostface Killah, “Woodrow the Base Head”

I like the way that the music keeps coming in and out of this interstitial. That’s about the best I can say.

Jean Grae, “Fade Out”

The last track from her debut record, Attack of the Attacking Things (which is an amazing name), this album established Grae as an excellent new artist in hip hop. Her rhymes were really interesting, often twisty things, and it made for a pretty different record from most of what you could hear at the time. The only problem with her is that she just hasn’t made very many records. And this song is kind of short.

Six songs today!

Belle & Sebastian, “Little Lou, Ugly Jack, Prophet John”

From Write About Love, a mostly forgettable album, but this is one of the songs that sticks with me from it. There’s not a whole lot to it, musically, but it’s certainly pleasant.

Jr Walker And All Stars, “Cleo’s Mood”

You don’t find that many instrumental soul tracks like this in the Motown catalog, but here we are with a sweet little tune from 1965.

Today!

The Perceptionists, “Breathe In The Sun”

A side project of Mr. Lif, Akrobatik, and DJ Fakts One, the Perceptionists are a good band to check out if you’re a fan of any of the individual artists. Since I like Mr. Lif a lot, that’s what brought me here. I think the star of this album is really Fakts One, who does a great job on the beats. This is the closer to their first album.

Some nice stuff today.

Hot Snakes, “Think About Carbs”

Listening to just the right channel on this song is kind of magical. Just Rick Froberg howling along with the drums except for the occasional burst of guitar until you get to the end. Just listen to those toms! Hell yes! Hot Snakes wooo!

Foetus, “The Ballad of Sisyphus T. Jones”

From Hide, this is Foetus at his bombastic, ridiculous best. I like this mode of Thirlwell’s, of making over-the-top songs that sound like songs from corny movies, but through a funhouse mirror.

Excellent one today.

Alex Chilton, “All of the Time”

Alex Chilton, of Big Star, is one of the leading influences on a ton of later rock bands in the underground. Here, for instance, you can really hear the Replacements. This song was on his solo record Bach’s Bottom, but this actually comes from the excellent Ork Records: New York, New York compilation.

Slapstick, “The Geek”

This is what ska-punk should sound like when it’s done well. Lots of speed, lots of energy, it gets in and out without hanging around too long. For your “Operation Ivy substitute”, you really can do so much worse.

Does it seem like I’m getting flakier with this things? I think I’m getting flakier. Whatever. I’m back!

Floor, “The Key”

This song is only 46 seconds. I really wish it were longer.

Crimpshrine, “Rearranged”

Crimpshrine didn’t last long as a band, producing only one album and a smattering of EPs, singles, and compilation appearances. All of that latter material got collected into a single comp, The Sound Of A New World Being Born, which is an excellent document of the early Bay Area punk scene. As that scene would end up being hugely influential over rock, and Crimpshrine would be one of the key bands to help form that scene, this album is kind of like a glimpse into the future. Well, the past now. Whatever.

Don’t have a ton to say today!

The Goats, “The Boom”

The Goats were an underground rap act out of Philadelphia, notable for using a live band during their second album, from which this song comes. Musically they would have fit in with the Tommy Boy acts of the time, such as House of Pain. Overall, the first album was pretty charming, and the second one kind of dragged. Honestly, I can’t remember listening to this stuff for probably 20 years.

Pretty good one today.

Public Enemy, “Give It Up”

Pretty sure I’ve talked about how uneven Muse Sick-N-Hour Mess Age is, and it really is. It’s the album that marks the sharp decline of PE from the legendary band to the often baffling outfit that’s still out there still making stuff. But the album really has some peaks. This is one of them. The beat is dense and bouncy, Chuck kicks several different flows, and they basically capture their glory days. The verse that kicks off “I never did represent doin’ dumb shit” is one of my favorite verses from him ever.

Good one today! Well, if you ignore that we have a rap skit.

De La Soul, “Skit 5”

The closer for De La Soul Is Dead, the final skit that imagines some bullies discovering stealing the album and deciding it blows. De La Soul was clearly reflecting on a break they were attempting from the first album, of trying to shed their image as rap’s flower children. While De La Soul Is Dead contains plenty of shimmery, bouncy, light tunes, it also features darker material like “My Brother’s a Basehead” and (especially) “Millie Pulled A Pistol On Santa”, a tragic tale we’ll talk about when it comes up.

Today!

Thou, “There There”

This is how Thou’s album Algiers ends, which is a collection of assorted EPs and singles. There’s something so elemental about the way that Thou sounds. Something about the entire sound of the band is downright contemptuous. Lots of bands manage to sound ugly, or grim, or noisy, or just generally awful. Thou somehow manages to sound spiteful, which is a neat trick. Well, I dunno about neat. Anyway, this collection isn’t a bad place to start with Thou. Or Heathen, which is a great metal album name.