This is the newly rebuilt Five Random Songs: chock full of posts, each featuring five random songs from my collection of music. Along with some other junk. Everything is tagged by artist. Poke around some, it’s been here since 2017. Starting in 2026, I shifted to twice-weekly posts with a little longer format. If you want to keep up, you can use RSS, sign up for email, or follow me on Bluesky.
WE’RE BACK AT IT! HIT IT, PLEXASAURUS REX!
This is how the first Baroness album opens up. While they’re usually grouped with metal, and in particular often brought up in the same breath as Mastodon, they’re not really the same thing. Yeah, there is some serious riffage in here, but the separation between this and, say, some of noise rock or post-punk isn’t exactly clear. Music categorizing is a sloppy thing, y’all. Anyway, this album is good! Listen to it!
[Read More]So, back in May, I stopped posting to Five Songs because YouTube were being incredible bastards (they still are), and I didn’t really want to contribute to them in even the puny, pathetic way that I was. I needed to find a new solution to stream music, with my criteria being:
The first of these is pretty easy, but means I can’t just Frankenstein something together with a bunch of services. Uploading cuts out pretty much all of the big streaming services like Spotify. SoundCloud has copyright controls, so that’s out. And that leaves YouTube, which, uh, fails the last of these tests. As a result, I gave up for a while.
[Read More]Power metal, as a genre, usually features lethal amounts of cheese. By and large, I don’t mind some cheese with my music every now and again, but it has to be a rare treat, and I usually don’t myself craving it. But beyond the inherent corniness of the genre, the songs usually don’t appeal to me that much, being kind of heavy on wailing (both from the singer and lead guitarist). As a result, I mostly tend to avoid power metal. So, I’m not sure how I ended up with this. I must have read a good review somewhere? Or sometimes, I like to sample records from genres that I don’t love just to see if maybe my tastes have changed.
[Read More]Every so often, rock “comes back”, brought back into cultural relevance by some release that critics declare revinvents the genre. Meanwhile, of course, rock never goes anywhere between these “breakthrough” albums, mainly because old boring people never shut up about it.
(cough)
Anyway, most of the time, these albums are often pretty darn good. Is This It, for instance, is a pretty tasty album! It doesn’t break any ground, not really, but it’s energetic and plenty fun.
[Read More]We open and close today pretty funky! And, you know, track four is built on the Amen break, so I’ll count that too!
Parliament’s first album was in 1970, and Medicaid Fraud Dogg came out in 2018. When I think about the idea that I might do the same job for 48 years, I can’t really wrap my head around it. And I got an early start in my career! Sure, this isn’t George Clinton’s best work. But nevertheless, it’s still impressive.
[Read More]It’s been a while since we’ve had Common Market, so a little re-introduction: this is a Seattle duo, featuring Sabzi (more famously known as half of the Blue Scholars) and RA Scion. Given that it’s Sabzi on the beats, it’s going to share a certain feel with the Blue Scholars, but Scion is different enough from Geologic that they don’t sound totally the same.
[Read More]Here’s today, but check out the bonus song I link down below.
The second Goats album seemed like it was chasing the trends of early 90s rap, with plenty of stabs towards rock, jazz, and other types of hybrid styles. It doesn’t hang together particularly well, and it’s mostly forgettable. There are some fun moments on the album, but overall, it’s a miss.
The opener to the second side of Flood, the album that really put the group on the map. And while it has some truly great tunes on that first half, my HOT TAKE here is that the second half is only so-so. It’s that second half that puts this album nowhere near the top of my favorite albums from TMBG.
[Read More]Freedom Tower: No Wave Dance Party 2015 was a throwback for the Blues Explosion, bringing back the stripped down sound that they had really moved away from after Now I Got Worry. It’s pretty much just back to two guitars, Jon’s strange yelping/posturing, and of course Russel Simins wrecking it on the drums. What’s nice about it is that it doesn’t really sound like a throwback, it mostly sounds like a lost recording from that time. Which is great!
[Read More]I often wonder at the functioning of the human brain. I frequently have trouble using the correct “M” name for the various folks and dogs who live in this house with me (in my defense, I’ve never used the dog’s name for one of the humans, but that time is probably coming). But I can still whistle along to the horn lines of forgotten ska records. Good use of gray matter there!
[Read More]I don’t know why I’m surprised at how minimal Lally is willing to get, given how even the most spare Fugazi songs still had a lot going on. But, it’s silly to get surprised by that, as Lally has always clearly been talented, and there’s no reason to believe he’d just make Fugazi Light once on his own.
We’ve discussed many times how J Church has put out a ton of compilations in their time, but when I look at their normal albums, I think Prophylaxis is my favorite of the bunch. It’s hard to pinpoint why exactly, as J Church didn’t really vary their sound much over the years. I suspect some of that is just that it was one of their earliest, so I spent more time with it. When you encounter an album at 19, it makes an impression! But, whatever, it’s my favorite! You can’t take that away!
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