Albert King, “Crosscut Saw”

A repeat! I think we’ve actually had it at least twice before. Still smokes, though.

Einstürzende Neubauten, “Good Morning Everybody”

God, the opening of this song is so menacing. This is from Grundstück, the second supporter-only album that they released in 2005, back when crowdfunding was still something pretty far out of the mainstream. They successfully funded and released a series of albums, relying primarily on word of mouth to find folks and doing payments directly. The resulting albums were no compromise, they’re full-on Neubauten records and this one in particular is excellent.

SOB X RBE, “Paramedic!”

Kendrick Lamar assembled the soundtrack to Black Panther, which ended up being a set of songs that are more inspired by the movie than necessarily being a traditional soundtrack. Kendrick is involved with everything, taking different roles depending on the song. As a result, even though there are a lot of different artists, it still feels like a coherent album. It’s not quite as magnificent as his recent proper albums, but really, what could be?

SNFU, “Costume Trunk”

I think I’ve said before I’m not a big fan of this record, and I think maybe part of it is the way the record is mixed. The vocals are too forward, and it throws the balance of things off.

Tuxedo, “Dreaming in the Daytime”

Just filthy, y’all. Listen to how fat those synths are! And come on, a guest verse from MF DOOM (R.I.P.)? Come on.

The Young Fresh Fellows, “Another Ten Reasons”

Tad Hutchison is really smokin’ on the drums on this tune, friends! I was going to say that this is from the last Young Fresh Fellows album, Tiempo De Lujo, but no! Turns out there was one last year, exciting!

Unsteady, “Darkie Love Affair”

I was going to say that Unsteady is one of the lost gems of the third wave, having put out two outstanding, unique albums that combine a sort of carnival atmosphere with a jazzy take on ska. But, uh, that song title is not great. Listening carefully, I think it’s an attempt to be clever, there’s no malice here, but yeah.

Mule, “Lucky”

Every now and again, bands will fuse redneck aesthetics with various rock genres, to greater or lesser effect. In this case, Mule bolts that stuff onto noise rock, bolstered by the usual good engineering job by Steve Albini. I don’t think that it’s really inventive enough to make the three-piece lineup shine, and I’m not super attracted to the hillbilly stuff, so, uh, I guess this isn’t great.

I’ve got bad news folks. You’re stuck with me again. Sad times! If anybody out there wants to have a whack at this thing, I guess just let me know.

Floor, “Downed Star”

This song, with the distant, buried vocals and deliberately thin drums, sounds a lot like an old Crystalized Movements track, which is something nobody else is going to care about. But I think it’s neat! And if you like this, hit up that link and see if you like their stuff.

Folks, we’ve got a special thing today! Our first ever Five Songs Guest Post! That’s right! For the first time ever, Five Songs is an actual “we” instead of a royal “we”! This guest track listing was provided by Col. Hector Bravado, founder of Breakup Gaming Society, home to America’s Least Responsible Board Game Podcast. Riff with him on Twitter (@T1ChiefRocka) or listen. We’re going all instrumental today, and now I’m going to turn over the mic!

Therapy?, “He’s Not That Kind Of Girl”

Therapy? were kind of an industrial metal band, kind of an alt-metal band, kinda punk at times, I guess, sorta grungy…I guess they were just kind of heavy, you know? They were often pretty sardonic, which again sort of aligns them towards industrial metal, like the Revolting Cocks or Ministry. I guess there’s some Butthole Surfers here too.

Well, whatever - this is from a singles collection released in 2000, pulling together the usual grab bag of stuff. It’s not bad, but also pretty unnecessary.

Jurassic 5, “Gotta Understand”

Feedback is one of the most disappointing albums I can remember buying. I adored the first couple LPs from J5, and then this album just kind of thudded to the ground. It seemed so leaden and joyless at the time that I just listened to it a few times and shelved it. Honestly, it’s due for a re-visit, and this track is pretty good. Maybe I’m just a dope?

The Beastie Boys, “Hold It Now, Hit It”

I’ve mentioned before here the ability of certain songs to transport me to very specific places and times. The Proustian recollection for this song is rolling through a lovely Spokane fall evening, crammed in the back seat of a shitty Toyota, on the way to a party at a friend of a friend’s house, a high school debate connection. We had this cranked up as far as it would go, plastic interior panels rattling along with the bass, as we headed to this party hopeful of making a connection. Being a hopeless debate dork, I mostly just held up a wall and tried to figure out how to make conversation, ultimately failing, but nevertheless enjoying the novel experience of a house party that was recognizable as an actual party. As opposed the usual gathering for me, which was mostly nerds playing cards.