Madlib, “Pyramids (Change)”

This is from Beat Konducta, Volume 1 & 2: Movie Scenes, a record intended as a soundtrack to a non-existant movie as well as a companion piece to J Dilla’s revered Donuts. The thing that makes it a little different from Madlib’s usual work is that there are a lot of vocal samples, helping give it a little more of that cinematic feel. Among Madlib’s instrumental work, it’s not my favorite, but everything he does is interesting.

Germs, “Shut Down (Annihilation Man)”

An outlier on the one and only Germs LP, (GI), this is a live track that is triple the length of anything else on the record. A loose wander of a song, it’s all sneer and skronk, without a whole lot of direction. But the Germs were never really about having a point, so it fits in just fine.

Joey Bada$$, “Christ Conscious”

It’s impossible to not nod your head along here. I tried, I’ve done the science.

Touché Amoré, “Just Exist”

I sometimes find screamo to be a little bit tiring. Musically, it’s my jam, but the vocals wear me out sometimes. This seems like a stupid thing for someone who listens to as much metal with vocals that sounds like someone caught something important in a home appliance. But I am very stupid, so here we are.

Luscious Jackson, “LP Retreat”

You know, if Luscious Jackson had made this record another fifteen years later, I’ll bet they would have found a much bigger audience. It sounds pretty ahead of its time, and I’m not sure people in 1994 really knew what to make of it.

Lupe Fiasco, “The Emperor’s Soundtrack”

There’s something so grandiose about Lupe Fiasco’s stuff. The beats are so layered, and they’re structured in a way to feel really huge, and the production of the rest of the track reinforces that massive impression.

Sebadoh, “Junk Bonds”

A Jason Loewenstein song from Smash Your Head on the Punk Rock, which is a comp of tracks from a couple import EPs. Like a lot of material from them at this time, it’s a schizophrenic record, but that’s also part of the appeal of the band. Tracks like this threw the tender material into even sharper relief.

Army of Juan, “Late Night Dining”

I wonder how many ska-punk bands put out one record in 1997 and were never heard from again? I’m sure there have been comparable fads in music, but it’s hard for me to think of something quite comparable in my lifetime, where a style peaked so hard and petered out so quickly. Grunge wasn’t the same - the peak lasted longer, and a number of the grunge bands continued being popular even post-peak (like Pearl Jam), not to mention important bands still being revered today (such as Nirvana).

Foetus, “Clothes Hoist”

Foetus released live albums pretty often, which were usually pretty good. The live show was often more direct and noisier, driven by having a live band making a racket. So it’s not just a re-hash of the album tracks, making them good listens if you like Foetus. This is from Boil, and the track is originally from Hole.

Antipop Consortium, “Splinter”

I got totally lost in the rhymes in the first verse.

Another month in the books! Still hanging in there on the daily grind, but it’s definitely been a little more wobbly.

Leprous, “Alleviate”

Like clockwork, Leprous puts out a record every other year, and with each passing album, they just get more and more theatrical. Is this even metal any more? I don’t think so! This is some serious theatre kid rock at this point. Doesn’t stop me from buying each of these records, mind you.

Nitzer Ebb, “Control I’m Here”

That Total Age was more towards the industrial end of industrial dance, with more clanking machines in the sound, and Showtime found them pushing a little more melody in things and varying their arrangements more. This comes from the album in-between, Belief, where they kind of blended those two approaches, and arguably made their more interesting record. There’s a risk in industrial dance in ending up in parody, but this album is so direct in its intention that it feels pretty good.

Melkbelly, “LCR”

LCR is also the name of maybe the worst board game that has achieved any substantial success. I don’t know how many copies it has sold, but LCR is an embarrassingly bad game design that has been successful enough to appear in stores for years and years. Just appalling shit.

Zeke, “Rid”

Around here, we have a love for pure, hard-charging garage rock that cannot ever be sated. There is no quantity of fast riffs and shouted vocals that will slake our thirst. So, add Zeke to the pile of bands that have attempted to satisfy our hunger, but we need more.

Matthew Sweet, “Divine Intervention”

When someone says “power pop”, this is the song that pops into my head. I know that there are plenty of other bands that really defined the genre, and that I should be thinking of them. But I don’t. It’s this song.

Juggaknots, “Liar, Liar”

I found the Juggaknots after falling in love with Prince Paul’s A Prince Among Thieves, where Breezly Brewin just kills it. So I went to track down more of his stuff, and sure enough, the Juggaknots also rule.