The Magnetic Fields, “The Way You Say Good-Night”

You know, the only Magnetic Fields record I’ve ever heard is this one. There are a lot more, and I have no idea if this record is an outlier in their sound or not. When they started making records, I wasn’t into this sort of music, and I just never looped back to check it out. I guess I’ll just keep the mystery alive. They could sound like Meshuggah or whatever on their other records, and I’ll never know.

Einstürzende Neubauten, “Haus der Lüge”

As the wave of industrial dance started to crest in the late 80s, Einstürzende Neubauten’s 1989 record Haus der Lüge was released with a couple of songs on it that, if you squinted hard enough, kind of fit in. This song, while being far more interesting than a lot of stuff under that industrial dance umbrella, nevertheless shares some of the same groove and had some crossover potential. They even released “Feurio!” as a single with remixes. I have no idea if it succeeded, my little bubble found Neubauten and gleefully dove into the back catalog. But I like to think that maybe some Nitzer Ebb fans got Neubauten-pilled by this album.

Thou, “Prayer to God”

Thou released two covers collections in 2020, with Blessings of the Highest Order being all Nirvana covers, and A Primer of Holy Words being miscellaneous tracks from other artists. This, of course, is the Shellac tune, a feel-good ditty from 1000 Hurts. Pretty much everything Thou does is worthwhile, so I recommend this album.

Big Ass Truck, “Lil Tico”

Is frat-boy funk a genre? Seems like it should be.

Bim Skala Bim, “Wandering Soul”

Yeah, let’s hear it for 90s ska! Hey, what are you doing with that tomato?

Bim Skala Bim’s Bones is the one where they really cemented their sunny sound, sort of a pop/ska approach that they would more or less carry through the rest of their records. I think I’ve listened to their version of “Brain Damage” more than Pink Floyd’s original.

Elf Power, “Upside Down”

That’s a pretty tough sound for Elf Power! I’d like them better with more of this kind of thing.

Flop, “Anne”

If you’re a longtime reader/listener of Five Songs, first, I deeply apologize. But second, you’re probably tired of me moaning about how Flop was unfairly ignored when they were active. Well, guess what? They were! I’ll keep saying it, because dammit, the world needs to know.

Also, I thought the name of this album was & the Fall of the Mousesqueezer for a really long time until someone on Usenet corrected me.

I need some more high concept entries here. Something where I can actually have a connection between the elements. I’m stymied, of course, by my format. And the fact that I write these as I play the songs, so I don’t know what the next song will be as I’m writing about the current song. I guess I could play all five and then write?

Judy and the Loadies, “I’m Not Drunk”

OK, I swear, I was going to try it, and then that terrible trombone bit happened, and I had to mention it. I’m sorry, I’ll try again tomorrow!

matt pond PA, “Measure 3”

I ran out of interesting (?) things to say about matt pond PA a couple tracks ago. So, as per the standard Five Songs Style Guide, that gives me license to just blather here.

…

Turns out I don’t have anything interesting to say that’s not about matt pond PA either. Oh! The new Belle and Sebastian is pretty good! That’s almost relevant to this band.

DZ Deathrays, “Reflective Skull”

I’ve said it before, but it’s worth repeating - make some friends in Australia and hit ’em up for music recommendations. You can’t miss! This is from a different friend than the last time I mentioned this particular life hack, that’s how I know that it just works generally.

Circus Lupus, “Cyclone Billy”

Delightful post-hardcore here from the first Circus Lupus record. They would only get better on their second album, but both are excellent if you’re into the sound.

Mary Wells, “Bye Bye Baby”

A real rager here from the early Motown days from Mary Wells. It’s certainly easy to see how this did so well for them.

Labradford, “Disremembering”

Here’s a track from the first drone record by Labradford, the record that found them with their most minimal lineup. Labradford was always most effective setting a mood, and I think that the mood comes through the most with fewer tools in the arsenal.

Jan Jelinek, “Universal Band Silhouette”

Sounds like being slowly dipped in warm syrup.

Jean Grae & Quelle Chris, “Gold Purple Orange”

Goddamn, Jean Grae absolutely kills it on this track. Somehow, she always startles me when she comes in, and then my skull melts.

Dance Hall Crashers, “Beverly Kills”

A lot of the Dance Hall Crashers songs were really not super inspiring or anything. And really, the point of the band is just listen to the harmonies and vibe. Isn’t that pleasant?