This is the newly rebuilt Five Random Songs: chock full of posts, each featuring five random songs from my collection of music. Along with some other junk. Everything is tagged by artist. Poke around some, it’s been here since 2017. Starting in 2026, I shifted to twice-weekly posts with a little longer format. If you want to keep up, you can use RSS, sign up for email, or follow me on Bluesky.
The Black Light, the second Calexico album, is really where Calexico became Calexico. The dusty southwestern aesthetic reached full flower, with the rhythms and arrangements being incredibly evocative. I mean, I suppose this track explains it more than I could. They would eventually branch out more and more from this core sound, but never abandon it. But if this is why you love Calexico, this record and The Hot Rail should be at the top of your list.
[Read More]Honestly, the reason for me to listen to The Flood Show is mostly for the in-between song banter.
Urge Overkill were a band out of Chicago that were doing big hard rock moves ironically, and in the early 90s, that was enough to attract attention. They would eventually mutate the ironic rock stuff to just sincere rock stuff, end up on a major label, and carve out a career being rock stars at a time when rock stars didn’t much look like rock stars. Or something.
[Read More]Hoover were a post-hardcore band with a single album on Discord in 1993 along with a few singles. There are a lot of forgotten gems in the Discord catalog, with albums getting overshadowed by the more famous releases on the label. Fugazi’s In On The Kill Taker released in 1993, for instance, which I think is the best post-hardcore record ever made. So it’s easy to see how this thing might not get noticed. And, yes, there is plenty of influence here from Fugazi. But, hell, that’s not a bad way to take your cues. There’s a little Drive Like Jehu here also, so yeah, this is good stuff.
[Read More]“Kicking Television” appeared on a tour EP for the A Ghost Is Born tour, and later lent its name to their live record. Here, the track is collected onto Alpha Mike Foxtrot: Rare Tracks 1994-2014, and it’s nice to have a rocker like this be widely available again. Wilco was never really just an alt-country band, but it’s always fun to hear their style wander around a bit from their assumed baseline.
[Read More]I am, Judy and the Loadies!
I’ve poked fun at some artists for cloying strings, but somehow Lambchop’s syrupy approach to same never bothers me. I suppose the reliably languid pace of things probably makes it feel better, but I think they’re just good at making them seem organic to the song and not just bolted on.
The Meters taking it slow on their first album, albeit without any strings involved. As always, the Meters rule, you should listen to them.
[Read More]Why do we make songs longer than a minute? What’s the point?
OK, this track is from something called Blue / Green / Red, and I swear to you, I did not get this album from anywhere. I wouldn’t do that to myself. One hypothesis is that if you have a few Weezer albums stored together, they’ll begin reproducing. Left to their own devices, eventually a pile of Weezer records will produce self-titled records named after colors not even known to mankind.
[Read More]I dunno about this, man. I want some fury with my Mogwai, some big dynamics, something should howl. This is pretty cerebral and isn’t what I’m generally looking for from them.
A repeat of an all-time jam.
“Gratitude Walks” is the opener of this album, but this beautiful slice of melancholy in the second position was what got me sold on American Music Club. I bought this album and listened to it on the walk back to campus, and it was such a change of pace from what I was listening to at the time that it really stuck with me. It’s good to have some things in your music diet that aren’t just noise and wrath.
[Read More]Hot Snakes! Hot Snakes! Hot Snakes!
Compare this tune with the Cinerama song from yesterday. It’s a simpler arrangement, but fundamentally the same type of song. But this feels so much better because the focus is where it belongs, on Gedge’s voice and guitar. This comes from Hit Parade 2, which documented the second half of the Wedding Present’s 1992. They put out a single every month, collecting all the tunes on two records. While a bit uneven compared to the albums from that time (as you might expect), they still have a bunch of great material on them and are both worth your time.
[Read More]Were it not for the presence of “floats”, this would be the kind of title you might find on a really pretentious prog album. I guess “twee” and “pretentious” are just two sides of the same coin.
After a couple albums of mellowing out some, The Men kicked it back into aggressive garage rock mode with Devil Music. It’s my favorite mode from them, so I was very happy to hear them bring it back. The more mature sounding stuff was fine, but I generally am happier with mayhem in my rock.
[Read More]Tad Hutchinson is really going the extra mile on the drums here. He doesn’t have to, Scott McCaughey’s singing can carry this little tune. But Hutchinson was always the Fellows’ secret weapon, I love his work across the board.
Hot Space contains the magnificent “Under Pressure”. It also contains a bunch of other songs, about which the less said, the better.
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